New MD for Private Eye
Private Eye, a fortnightly satirical, news and current affairs magazine, has appointed Geoff Elwell to be their new managing director.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Private Eye, a fortnightly satirical, news and current affairs magazine, has appointed Geoff Elwell to be their new managing director.
Magazine production costs have risen sharply over the last few years, squeezing profit margins and putting some titles out of business. We grab five minutes with Marketforce’s Mark Constance to explore what publishers can do to control their costs.
Readly, a digital magazine and newspaper subscription service, has partnered with Arla LactoFREE, to offer customers a free subscription to its digital reading app.
After the sale of the Express and Star, PCS, a publishing software company specialising in regional newspapers and magazines, have found a new home.
LBG Media, owner of the LADbible Group, has today announced the acquisition of Betches, a US-based media brand founded by women, for women.
Future has announced the launch of Future Context, its contextual targeting solution for advertisers.
Signature Publishing extends its partnership with Universal Products and Experiences to launch DreamWorks Trolls magazine.
The PPA has announced the shortlist for its annual Independent Publisher Awards.
The British Society of Magazine Editors has unveiled the shortlist for their upcoming awards.
Investment analysts fundamentally believe that brand strength is critical to a firm’s success. This is according to new research by IPA/Brand Finance and analysis by Ian Whittaker.
Newsstand, an online print magazine retailer and fulfilment services provider, has announced the appointment of Jo Bourne as Managing Director.
A recent survey commissioned by digital magazine and newspaper subscription app Readly has highlighted perspectives on the use of AI across a number of sectors.
Subscriptions to a digital archive of literary and art magazine The Capilano Review are now available through publisher services platform Exact Editions.
In addition to their content, there’s lots of things publishers could be selling, but some struggle with the requirements of e-commerce. We grab 5 minutes with Patrick Lidstone to talk through the opportunities.
Time Out and British Airways Holidays are announcing their joint Christmas markets campaign, spotlighting a selection of the best cities to visit in the run-up to the festive season.