Ozone launches Studiozone
Ozone says the new launch aims to deliver greater creative impact across the premium web.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Ozone says the new launch aims to deliver greater creative impact across the premium web.
Glamour UK is marking the second year of partnership with Samsung UK as brands honour notable women shaping culture.
Future plc, a global platform for specialist media, has provided an update on its performance for the year ending 30 September 2023.
Bloomsbury Education has secured a new publishing partnership with children's magazine The Week Junior.
The Advertising Association’s AI Taskforce is to review the developments, benefits, and opportunities of AI to the UK advertising industry.
IAB UK has released a new study produced by Public First, called The Digital Dividend, revealing the value of digital advertising to UK economy and consumers.
GumGum shows its deepening commitment to the Japanese market with the appointment of digital media executive, Kenzo Selby to lead its growing business in Japan.
RadioTimes.com’s Gaming Editor, Rob Leane, hosts the new podcast, delving into the gaming lives of high-profile interviewees.
Time Out has created “Europe’s Best Kept Secrets” campaign for TUI Lakes & Mountains.
Angel Business Communications has announced the launch of AI Transform: Empowering SMEs through AI technology.
Outbrain Inc has announced a strategic partnership with Cedara, an end-to-end carbon intelligence platform, to support Outbrain and its customers’ sustainability and decarbonisation efforts.
The inaugural Rolling Stone UK awards, in collaboration with Rémy Martin, are set for 23rd November at Camden’s Roundhouse.
People have returned to offices, but work patterns have changed. This means that free distribution in town centres has had to change too. We grab five minutes with Magazine Heroes’ Dan Collins to see where the opportunities now lie.
A complete & fully-searchable archive of Mousse Magazine is now available for digital subscription.
After confirming a £2.1 million spend at the start of the year, Managing Director Gareth Roberts has announced an additional multi-million-pound investment.