NewstrAid named ‘Charity of the Year’
Industry charity NewstrAid has been named ‘Charity of the Year’ at the Association of Charitable Organisations (ACO) Annual Awards for 2023.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Industry charity NewstrAid has been named ‘Charity of the Year’ at the Association of Charitable Organisations (ACO) Annual Awards for 2023.
Future announced last month that it had partnered with Scope3 to measure and help reduce its digital media supply chain emissions.
The latest Digital Publishers’ Revenue Index from the AOP and Deloitte reveals total digital revenue for Q2 2023 was £155.9million, up by 0.3% from Q2 2022.
The bunkered Podcast took to the stage in Scotland last week for its first-ever ticketed live show.
Time Out last week announced that Kaylie Smith has joined as Managing Director, Time Out Media APAC.
The October edition of Film Stories has a new look and increased pagination, making it, say the publishers, the UK’s biggest film magazine.
Cafeyn has announced the death of its CEO and founder, Ari Assuied.
Self Select Distribution have been accredited for the eleventh consecutive year as a certified distribution supplier of free publications.
Anthem will be donating 10p from every issue sold during the month of October to its nominated charity for 2023, The Trussell Trust.
Air Business, a global distribution, subscriptions and e-commerce management company, has achieved recertification in ISO 27001 for information security management.
Elle Collective is a new fashion and beauty membership programme from the team behind Elle UK.
PressReader is now the exclusive distributor of The New York Times Company’s digital news products and digital replica editions to hotels, airlines, cruise and ferry lines, as well as non-U.S. public libraries.
Independent publishers face the same tasks and challenges that big publishers do but with far less resource. Overstretched, it’s easy to overlook something important. CPUK’s Michael Chinnery lists some of the key things they need to be aware of.
Future has announced the launch of a new print publication to meet demand for high-quality lifestyle and luxury content.
The total wealth of the Forbes 400 has risen to $4.5 Trillion, former U.S. president Donald Trump has fallen off the 2023 list.