Good Housekeeping and QVC UK announce partnership
Good Housekeeping and QVC UK have announced the launch of a video series designed to change perceptions on midlife.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Good Housekeeping and QVC UK have announced the launch of a video series designed to change perceptions on midlife.
Media Voices have revealed the winners of the inaugural Publisher Newsletter Awards, following a ceremony which took place on Monday 17th July at Colours Hoxton in London.
Autocar documents automotive history back to 1895 in new Exact Editions digital archive for individuals and libraries.
ESco has announced the completion of the onboarding of its newest client Whitmar Publications.
Carbon1 is helping to advance sustainability in the digital supply chain with SeenThis’ adaptive streaming technology.
SABLOS, a new international travel magazine, app and website that talks to inspiring people about the places they love in the cities they live, aims to disrupt travel media.
Playground xyz has announced its Attention Intelligence Platform is now available with PubMatic.
For many publishers, the printed magazine remains their flagship offering. In challenging times, what can they do to get the best possible return on their print investment? We ask The Manson Group’s Chris Ferrari-Wills.
impact.com has announced the launch of an influencer and creator partnership management platform, empowering brands and creators to discover, create and manage long-term, productive partnerships.
Redan Publishing has announced the launch of a new art focused children’s magazine called Skoodle.
Lifestyle magazine, Good Housekeeping UK, has announced the return of Good Housekeeping Live in partnership with Dyson for its second consecutive year.
As publishers begin to shift away from a reliance on viewability and attention metrics alone, we grab 5 minutes with Sean Adams, global insights director at Brand Metrics, to talk about another important metric: brand lift.
Air Business, a global distribution, subscriptions and e-commerce management company, has announced the achievement of ISO 14064-1 carbon footprint verification with Carbonology Ltd.
Guerlain and their media agency Publicis Media Luxe have partnered with SeenThis to deliver the recent Abeille Royale awareness campaign in France.
The Stationers’ Company has announced the shortlist for the 2023 Innovation Excellence Awards.