We need a less exclusive media, says the NUJ
The union has warned that a diverse media can be developed only if the barriers to working class people entering journalism are identified and actively challenged.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The union has warned that a diverse media can be developed only if the barriers to working class people entering journalism are identified and actively challenged.
Lumen Research has announced that it is to merge with Avocet, the two combining to become Lumen, with FirstPartyCapital leading a £3M funding round to drive expansion.
Immediate Media Co has announced the acquisition of Nutracheck, a subscription-based weight management and dietary improvement platform.
As the digital advertising business scrambles to create new solutions that are a match for their outgoing cookie-driven equivalents, Exit Bee CEO Pavlos Linos talks contextual, mobile and finding the right micro-moment to start a conversation.
Future has been one of publishing’s success stories over the past few years. How did they do it?
Future plc has announced the appointment of Rob George as VP of eCommerce.
GumGum has announced that advanced attention measurement and optimisation will be incorporated into all display creative campaigns running on the GumGum platform in 2023.
TIME has announced that Jessica Sibley has been named Chief Executive Officer, effective November 21, 2022.
Ozone has announced the launch of its pre-roll video capability with a debut campaign from the integrated creative, marketing and advertising agency, AKA.
Hearst UK has appointed Jamie Doubleday as its new Head of Clients.
The quality of British magazines means that they are in high demand overseas. We grab five minutes with Marketforce’s Richard Salsbury to find out how publishers can take advantage of international opportunities.
Industry charity NewstrAid has announced the launch of a new fund aimed specifically at providing financial support during the current cost of living crisis.
Puzzler is releasing a gold-foiled edition, featuring some iconic and original puzzles, exclusive competitions and a special Miranda-themed selection curated by guest editor Miranda Hart.
Following a successful Christmas last year, Signature Publishing is once again partnering with The Lumistella Company to offer two special magazines dedicated to the popular The Elf on the Shelf brand.
PinkNews has announced a 3-year-long media partnership with Trans in the City which will begin with their annual Trans in the City Gala on Monday 14th November 2022.