British Journalism Awards – shortlists announced
Press Gazette last week announced the shortlists for the British Journalism Awards 2022.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Press Gazette last week announced the shortlists for the British Journalism Awards 2022.
WIRED’s Consulting division last week announced the start of a long term partnership with J.P. Morgan Payments, commencing with the launch of a brand new publication, Payments Unbound.
Hearst UK has announced the return of the Harper’s Bazaar Women of the Year Awards, with Armani beauty on board as the headline sponsor for the fourth consecutive year.
impact.com says their new global programme will offer their agency partners access to new benefits including business referrals, certification courses, and more.
According to the data, consumers will make Christmas bigger and better this year but will shop consciously and for themselves amid cost of living crisis.
Hearst Magazines have announced that Katie Vanneck-Smith has been named chief executive officer of Hearst UK.
The launch of Bubbl Lite, to serve the SME market, follows a funding round at the mobile marketing platform.
The latest data shows that the digital ad market grew 15% in H1 2022 as rate of growth returns to pre-pandemic levels.
AdExchanger has named Aperture, the intelligent audience data platform from Future Publishing, the Best Publisher First-Party Data Platform for 2022.
Future has announced the acquisition of ShortList, enhancing its position in tech.
PressReader have announced that Ruairí Doyle has been appointed chief executive officer and Alexander Kroogman has been transitioned to executive director.
The Mark Allen Group has announced the launch of Musicals magazine, a print title to embrace and celebrate this diverse genre on an international scale.
Published last week, IPSO’s Annual Report 2021 sets out how IPSO has delivered its purpose to protect the public and freedom of expression by upholding high editorial standards.
The Q3 2022 IPA Bellwether Report reveals how cost-of-living crisis dents UK economy.
Something very small is happening in the media business at the moment. It isn’t new, writes Jim Bilton, but it is rapidly gathering speed and profile.