The Week Junior Science+Nature announces special issue
Tim Peake and Maggie Aderin-Pocock will challenge young people to make future space travel more environmentally friendly in special issue of The Week Junior Science+Nature.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Tim Peake and Maggie Aderin-Pocock will challenge young people to make future space travel more environmentally friendly in special issue of The Week Junior Science+Nature.
Industry charity NewstrAid has announced the launch of Woolly Wednesday to highlight the support it can offer to those struggling with energy bills.
Poool have announced that they have raised €4 million to support digital content producers in converting, managing and retaining their members and subscribers.
AOP and Deloitte say that total digital publishing revenue was £154.8million in Q2 2022, with 50% of respondents reporting positive growth.
The winners of the PPA 30 under 30 have been announced, celebrating young talent in the industry.
Bauer Media Group has announced the appointment of Jan Wachtel as president of its Publishing Business Area.
Contemporary art & criticism periodical C Magazine has launched a complete digital archive for subscription with Exact Editions.
Hearst has announced an exclusive partnership with Philips to create a beauty testing lab in the heart of London, the first time a brand has taken over Hearst UK’s dedicated Soho-based testing facility.
Time Out has announced a partnership with FREE NOW on a bespoke, branded video series that will span all its digital channels.
Data storytelling has evolved rapidly in recent years. And as the new SVP at Forbes Insights – Forbes Media’s strategic original research and thought leadership practice – Janett Haas is now working to build the future of it.
Recent speculation about Future CEO Zillah Byng-Thorne has hit the company’s share price.
Readly, a digital magazine and newspaper subscription app, has announced that it has joined the MONOPOLY at McDonald’s game as it returns to the fast food chain this September.
What’s selling? Where’s it selling and at what price? Where are the opportunities for publishers? We grab five minutes with Marketforce’s Emma Carey to find out…
Creating a personalised experience for users is a top priority. Global’s Steve Wilson-Beales, is chairing the ‘Experience Tech Talk’, part of the upcoming AOP Publishing Tech Talk event. We grab 5 minutes with him to talk through some of the issues.
BPA Worldwide has announced the acquisition of digital events data standards group, VSef.