Quintype appoints Chad Hussein
Quintype have announced the appointment of Chad Hussein who will be based in their recently opened Dubai office expanding their presence across the MENA region.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Quintype have announced the appointment of Chad Hussein who will be based in their recently opened Dubai office expanding their presence across the MENA region.
The return of new podcast series ‘Unearthed: Journeys into the future of food’ reveals how science is helping future-proof what we eat, says the Royal Botanic Gardens, Kew.
Glamour UK has announced the return of their Women of the Year event in London on Tuesday 8th November to honour women who have broken down barriers and incited change in their careers.
Avon has partnered with Marie Claire UK to launch its podcast series called ‘Power in Ageing’.
Immediate Media Co has announced the launch of a new Disney and Pixar Lightyear magazine.
NME Networks have announced Thomas Smith and Sophie Williams are to move into new roles.
Air Business has announced that it has retained its ISO 27001 certification for information security management, which is accredited by BSI, the UK national standards agency.
Micropress has announced plans to invest more than £1m extending its factory to ramp up its short-run digital offering.
Readly has announced a collaboration with Disney to offer subscribers a world of fantasy with Disney magazines.
Hearst UK, a content and experience business, has announced the appointment of Art Tindsley as head of HearstX – the business’s recently reimagined experiential division.
Following a successful audit, Air Business has announced that it has earned ABC Certified Supplier status for its subscriptions fulfilment services.
What we measure and how we communicate the results to agencies and clients is critical to publishers’ commercial success. Jo Holdaway is chairing the ‘Metrics Tech Talk’, part of the upcoming AOP Publishing Tech Talk event. We grab 5 mins with her.
This year, Readly, an all-you-can-read digital subscription platform, celebrates its tenth birthday. We grab five minutes with CEO Mats Brandt to reflect on how the publishing industry has changed in the last ten years and to look at current trends.
Munroe Bergdorf has been announced as new contributing editor at British Vogue.
Kärcher has announced that they have teamed up with Future plc to launch multi-faceted lifestyle campaign ahead of the golden quarter - The Kärcher Life.