Micropress announces new investment
Micropress is making a large investment in new equipment, to the tune of around £3.75 million.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Micropress is making a large investment in new equipment, to the tune of around £3.75 million.
Despite the cost of living crisis, supermarkets remain places of high footfall. We grab five minutes with SSD’s Andy Barker to check out the state of play with free publication distribution in-store.
Future plc has announced the acquisition of WhatCulture, a digital-only entertainment publisher and Waive, a data insight platform.
Readly has teamed up with Three, one of the UK’s largest mobile operators, to offer Three customers an offer for unlimited digital magazine and newspaper reading.
Cavai, a conversational advertising cloud, has appointed Jonathan Pacey as Commercial Director, APAC.
London-based automotive investor Pario Ventures has invested in motorsport magazine The Pit Stop.
BBC Gardeners’ World Magazine is celebrating a major milestone this week as its podcast has been downloaded more than 1 million times in just over a year from launch.
History Today has announced that Gavin Stamp, a former BBC journalist, has been appointed as its new editor.
Jackie Annesley has been appointed Editor of The Mail on Sunday’s You Magazine.
Jazzwise, Mark Allen Group’s print and digital jazz monthly and one of the world’s leading jazz magazines, celebrates its 25th anniversary with an extra-large April issue.
impact.com, a partnership management platform, yesterday announced that the company has acquired Pressboard, an analytics and reporting platform for branded content.
Marketforce, a global sales, marketing and distribution company, has unveiled its new website.
The CMA is taking a closer look at Google and Meta’s conduct over concerns that they hampered competition in markets for online display advertising services.
Bauer Media yesterday announced the expansion of Bauer Illuminate for the automotive market, allowing auto advertisers to accurately target audiences at different stages of their car buying journey.
Global advertising technology platform, The Trade Desk, yesterday announced a new partnership with The Ozone Project, to provide advertisers with access to Ozone’s 45m-strong UK audience.