AIM chooses Amplio for online audience engagement & subs management
Active Interest Media (AIM), a leading global enthusiast media company, has partnered with Lineup for access to its subscription management solution.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Active Interest Media (AIM), a leading global enthusiast media company, has partnered with Lineup for access to its subscription management solution.
Jess Burney, MD, direct marketing & business development, at Immediate Media Co, assesses the outlook for consumer media.
The first episode of My TV Years, hosted by comedian and presenter Mel Giedroyc, is due to be broadcast on 23 February.
The press supply chain for both newspapers and magazines is facing unprecedented pressure around the world. Yet the industry is squaring up to the challenges and is accelerating changes in how it operates with speed and great creativity.
In November, Social Streets C.I.C launched a new magazine called The Slice, serving the London borough of Tower Hamlets. Profitable from the launch issue, it’s bringing much needed revenue to the hyperlocal publisher.
Diversity and inclusion should not be an ‘initiative’ but should be hardwired into your everyday. That, writes Ciar Byrne, is the approach taken by Uwern Jong, founder and editor-in-chief of OutThere.
Venturing into the comments section can be a pretty gruesome experience. It can also be enlightening, educational and entertaining. What can publishers do to raise the level of online debate?
Don’t know your ‘flash hole deburring’ from your ‘NV optics’? Never fear, the shooting magazines have it all covered, as Alan Geere discovers.
Redan Publishing, a children’s magazine publisher, steps up sustainability measures with their first paper-based covermount gift on Fun To Learn Favourites magazine.
It was one of the first glossies to recognise that women were interested in more than their looks. Editor Sally Saunders reveals to Laura Silverman how she is making Psychologies the title all women still need to lift their emotional wellbeing.
Kelsey Media this week announced the acquisition of Agricultural Trader, Canal Boat, Country Smallholding and Pilot from Archant Community Media.
Men’s Health has announced Alastair Campbell as a new mental health columnist, which will see the journalist and mental health campaigner leading a ‘Talking Heads’ interview franchise.
Signature Publishing and One Animation have signed a deal to launch a dedicated Oddbods-themed issue of Signature’s changing-theme magazine for pre-school children, ‘Adventures with…’.
The Professional Publishers Association has announced the appointment of Nina Wright, Harmsworth Media CEO as its new Chair.
Following the success of 2021's Vogue Visionaries masterclass series, British Vogue and YouTube have announced a new series for 2022.