Clock launches new membership platform for Broadsheet Media
Clock has partnered with Broadsheet Media, an Australian independent publisher, to launch Access, a new subscription membership program and platform.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Clock has partnered with Broadsheet Media, an Australian independent publisher, to launch Access, a new subscription membership program and platform.
With people no longer anchored in the office, publishers have to rethink their personnel practices.
Bloomberg Media and Twitter have announced a global multiyear renewal of their partnership starting in January 2022, covering all major media markets across North America, EMEA, LATAM and APAC.
Specialist independent children’s publisher Signature Publishing has partnered with BBC Studios to launch Swashbuckle magazine.
Voices of the Countryside, a new series of BBC Countryfile Magazine’s Plodcast, launched yesterday.
New literature publication Siegfried Magazine has launched a digital edition of its first issue, now available for individual and institutional subscriptions though the Exact Editions platform.
Immediate Media Co announced last week that it has been named as the UK’s 4th best place to work in the Glassdoor Employees’ Choice Awards 2022.
Cosmopolitan is celebrating its 50th anniversary with the model and social activist, Munroe Bergdorf on the cover.
“Emma Barnett meets …”, a new weekly interview series, premiered on 6 January on the Bloomberg Quicktake streaming network.
Real People will print its final issue on January 20 following a decision by Hearst UK to close the weekly magazine after 16 years.
Adam Baidawi, deputy global editorial director of GQ, has revealed his first issue as the head of editorial content at British GQ.
TIME Editor-in-Chief and CEO Edward Felsenthal this week announced a number of changes to his senior team.
Time Out Group yesterday announced that Mary Keane-Dawson has joined as CEO of Time Out Media, with immediate effect.
Condé Nast yesterday announced the launch of Vogue Philippines, the 29th edition of the global fashion brand.
The New York Times Co has agreed a $550m cash deal to acquire subscription-based sports site The Athletic.