What it took to succeed in 2020
The PPA has announced the winners of this year’s Independent Publisher Awards. James Evelegh looks at what the winning entries had in common.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has announced the winners of this year’s Independent Publisher Awards. James Evelegh looks at what the winning entries had in common.
To mark its fifth anniversary, The Week Junior is launching a 12 Days of Kindness initiative, to encourage children to be kind and to spread a little happiness over the festive season.
Marie Claire UK, the fashion and beauty brand published by Future PLC, has launched its first ever premium loyalty programme.
The PPA has announced the winners of the 2020 Independent Publisher Awards.
Your existing CMS successfully gets your content from your desktop up onto the web. Job done? Not necessarily! If your CMS is not integrated with your circulation & advertising systems, then you will not be realising your commercial potential...
Digital publishing revenues in the UK fell to £96.6 million in Q2 2020, down by 14.3% in comparison to Q2 2019, according to the latest quarterly Digital Publishers Revenue Index from AOP and Deloitte.
Celebrity and lifestyle magazine OK! has launched the Beauty Edit, a new monthly beauty box, curated by OK!’s in-house team of beauty experts.
Bauer Media has signed up to the UK government’s new ‘kickstart’ scheme, in the latest step in the company’s commitment to greater diversity and inclusion.
Current affairs magazine New Eastern Europe has launched a digital subscription service for individuals and institutions in partnership with archiving company Exact Editions.
Bauer Media UK’s fortnightly fashion and news brand, Grazia, has unveiled six Beauty Issue covers, the first to be cast exclusively via social media.
NewstrAid, the charity which supports people working in the sale and distribution of newspapers and magazines in the UK has unveiled its new website.
Starcom has announced the launch of a new campaign – Nuts About Christmas – for KP Nuts in partnership with Bauer Media.
To mark GQ Style’s 15-year anniversary, the Autumn/Winter 2020 issue is inspired by the Black Lives Matter movement.
IPSO has published guidance on how the Editors’ Code of Practice applies to the reporting of Muslims and Islam.
Net-a-Porter announces the launch of a new podcast series, Incredible Women. Season 1, Celebrating Togetherness, invites you to listen in on conversations between pairs of Incredible Women.