Seema Hope promoted to Global Customer Insight Director
Seema Hope, head of research at Dennis, has been promoted to the newly created role of Global Customer Insight Director with immediate effect.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Seema Hope, head of research at Dennis, has been promoted to the newly created role of Global Customer Insight Director with immediate effect.
New data reveals the impressive results that Future’s women’s lifestyle brands delivered for online retailers this Black Friday weekend.
British Vogue has announced a number of appointments and promotions in the publishing team, all reporting into Publishing Director, Vanessa Kingori.
Interconnect IT has announced the general availability of Standfirst for Alexa, with self-service sign-up.
Sage Media National Ltd was wound up in the public interest on 25 November 2020 in the High Court, Manchester, before Deputy District Judge Brown.
Fortean Times, Dennis Publishing’s title for strange phenomena, has published its 400th issue which goes on sale on the 3rd December with a special edition full of its readers’ stories of strange goings-on.
Hearst UK has partnered with health technology company, Philips, to launch its ‘Power of Positivity’ campaign.
Individuals and institutions can now subscribe to the fully-searchable digital edition of new monthly magazine The Critic through Exact Editions’ web, iOS and Android platforms.
Air Business has been awarded the ‘Industry Partner of the Year’ in the PPA Independent Publishers Awards (IPN) 2020.
Cafeyn, a digital media streaming platform, has announced it has secured funding from Bregal Milestone, a European growth capital fund.
Darren Coxon, managing director of Pensord Press, answers our questions about his life in publishing.
Future Plc has published results for the year end 30 September 2020 which are, says the company, ahead of expectations.
Bauer Media has announced that Steve Prentice has been appointed Managing Director of the company’s Sport and Women’s Specialist portfolio.
Bi-monthly art magazine Orientations has launched a new digital edition, available for subscription through digital platform Exact Editions.
Bauer Media UK has announced the appointment of Kenya Hunt as Deputy Editor of Grazia.