New editor for Model Rail magazine
George Dent has been appointed editor of Bauer Media’s Model Rail magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
George Dent has been appointed editor of Bauer Media’s Model Rail magazine.
GQ has announced that comedian Jack Whitehall will host this year’s virtual GQ Men of The Year Awards in association with Hugo Boss.
The members of the Distripress Executive Committee have announced the appointment of Lizanne Barber as Distripress Managing Director.
For the first time in its 17-year history, Bauer Media’s Your Horse Live event took place in a virtual format.
Hearst UK yesterday announced that one of its consumer lifestyle brands, Prima, is increasing its print magazine edition from 12 to 13 issues a year, starting in 2021.
ESco, a subscriptions bureau, has announced the appointment of two new Directors, Clare Gill and Louise McHale, daughters of Managing Director and founder, Susan Duffin.
The Ozone Project has announced significant investment to accelerate its growth as a premium digital advertising platform, and establish an advertising centre of excellence for its publishers.
Bauer Media’s monthly music title MOJO is to launch a new strand ‘Deluxe Anthology Edition’ to its Collectors Series.
Mark Allen Group is one of publishing’s success stories. James Evelegh looks at their winning formula.
MoneyWeek celebrates its 20th anniversary on 6th November with issue number 1024 and marks the occasion by asking its readers to predict the future.
As consumers enter the Second Wave of the pandemic, the media business is moving into its Third Phase in 2020. That is one of the key findings of Wessenden Marketing’s latest mediafutures report.
In line with Time Out’s ongoing Love Local campaign, Time Out London and Google yesterday announced a joint partnership to support Black-owned businesses in the capital.
Guardian News & Media has added The Guardian, The Observer and its international news magazine Guardian Weekly to the Readly platform.
The Italian Competition Authority has opened an investigation against Google for alleged abuse of its dominant position in the Italian online display advertising market.
The latest Global Distribution Tracker report, from Distripress, has identified five big issues across four content pipelines.