Empire launches black cinema column & announces new contributing editors
Bauer Media UK’s Empire has announced the appointment of new Contributing Editors and the launch of a monthly Black film column.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media UK’s Empire has announced the appointment of new Contributing Editors and the launch of a monthly Black film column.
Axel Gerhartz has joined the management team of Munich-based digital media company Media Carrier.
Hearst UK has appointed Lydia Slater as the new Editor-in-Chief of Harper’s Bazaar UK, overseeing its print, digital and experiential offering.
PPA has announced the appointment of Owen Meredith as Chief Executive, with immediate effect.
The new magazine will hit newsstands on 21st October, with subscriptions also available to purchase online.
A collection of Australian Foreign Affairs’ back issues are now available for digital subscriptions in collaboration with archiving company Exact Editions.
Bauer Media has announced the appointment of Kaushala Ratnayake to the newly created position of Head of Strategy for the UK Publishing Business.
NLA Media Access has announced the appointment of Clive Marshall as non-executive Chairman. Clive joins the Board and will take over as Chairman with effect from 19th October 2020.
We are still in the middle of the reboot which is reshaping the whole media business. And the nation is also still grappling with a number of wobbly health and economic variables, all of which will impact on how we do business.
With its 40-year-old archive of 17,500+ articles, writes Meg Carter, London Review of Books is proving the revenue-generating potential of ‘evergreen content’.
The pandemic has given a big boost to subscriptions, but, even if you don’t charge for your content, it still pays to find out more about who is visiting your site.
The ongoing debate about online harms brought to mind a perceptive question posed by a twelve-year-old some time ago, writes Dickon Ross.
There’s a fine art to New Scientist’s successful approach to subscriptions, writes Meg Carter.
Stuck indoors, there was no better time to think about being in the country. Of course, there are magazines to hold your hand every inch of the way as Alan Geere has been finding out.
Necessity is the mother of reinvention for Bath-based Anthem Publishing, which is still building for the future despite the toughest challenges all have faced this year, writes Meg Carter.