LEIPA introduces ‘LEIPA MAG TOP’
LEIPA has increased its portfolio offering with the launch of its brightest recycled sheet, made at its German recovered paper mill.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
LEIPA has increased its portfolio offering with the launch of its brightest recycled sheet, made at its German recovered paper mill.
If there’s been one silver lining for publishers in this pandemic period, it’s been the growth in subscriptions. We grab five minutes with Alan Weaver to discuss the changing face of subs marketing.
Future has announced the acquisition of CinemaBlend, a US-based digital entertainment publisher.
Denford Publishing and digital publishing company Exact Editions have announced the launch of The HAT Archive; a fully-searchable archive of issues available to institutions around the world.
Mortons Media Group have launched their third app and website, MoreBikes, with Better than Paper.
This week, News UK announced the launch of Studio PI, an independent photography and illustration agency that champions talent from underrepresented backgrounds in the creative industry.
Immediate Media Co has announced the appointment of Duncan Tickell to the newly created role of Chief Revenue Officer (CRO).
Readly and Aftonbladet, Sweden's largest evening newspaper which is owned by the Schibsted Media Group, have entered into an expanded publishing collaboration.
Bloomberg Media has launched Bloomberg Wealth, a new content vertical to help readers and viewers make smarter decisions about their personal finances.
This month’s issue of Empire magazine is a special tribute to actor and filmmaker Chadwick Boseman and marks the first tribute issue in the title’s 31-year history.
Future plc has announced the launch of myimperfectlife, describing it as an informative and relatable site helping young millennial women navigate the realities and demands of their lives today.
Decanter last week announced the winners of its wine awards, after an event which is anticipated to deliver £3.5m in revenue despite being held during a global lockdown, says Future plc.
A Future of Media Commission has been established in order to examine the future of broadcast, print and digital journalism in Ireland, it has been announced.
Bauer Media and Where’s Your Head At? have partnered with mental health charity Chasing the Stigma to launch the #PledgeKindness campaign.
Harper’s Bazaar, Hearst’s fashion, art and literary magazine, launches a four-day virtual-event series with Gillian Anderson as the keynote speaker.