Esquire unveils The Esquire Edit 2019
Esquire, Hearst’s men’s magazine brand, has announced the launch of the 2019 edition of The Esquire Edit, described as “a capsule collection of limited-edition menswear staples”.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Esquire, Hearst’s men’s magazine brand, has announced the launch of the 2019 edition of The Esquire Edit, described as “a capsule collection of limited-edition menswear staples”.
MPP Global, the creator of eSuite, a subscriber management and billing platform, has unveiled its enhanced Experience Optimisation capability.
BBC and Channel 4’s investigative technology journalist, Geoff White, will host the annual summit.
Sir Peter Bazalgette is this year’s guest speaker at The Printing Charity’s Annual Luncheon on Thursday 14 November at Stationers’ Hall, London.
The River Group has announced that it’s expanding its expertise into PR and launching Maven Communications.
Nemorin Film & Video has appointed two senior executives to its board as it gears up for a future powered by big data, AI, listening and machine learning.
Readers can now browse every issue of design and architecture magazine Icon on the Exact Editions platform.
The PPA has announced the shortlist for the 2019 Independent Publisher Awards, taking place on 8 November.
heat magazine is to launch heat Style Book, which it says will be the first standalone fashion and beauty title dedicated to celebrating inclusivity and diversity.
Hearst UK has announced the launch of Delish, to UK audiences, a destination for recipes and videos that inspires people to get cooking.
Hearst UK’s fine watch magazine, QP, has announced the launch of new concept event – ClubQP.
Simply Vegan magazine, first released in 2018, is relaunching this week with a brand new look and editorial focus.
Charlotte Edwardes has joined The Sunday Times as assistant editor and as a columnist for Style magazine, with her first column appearing yesterday.
Money Observer, the financial publication owned by interactive investor, turns 40 in October.
BBC Gardeners’ World Magazine, published by Immediate Media Co, will be using paper wrap for mailing all subscriber copies from its October 2019 issue.