PPA Awards – the shortlist
The PPA has unveiled the shortlist for its 2018 awards.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has unveiled the shortlist for its 2018 awards.
Time Inc. UK announced yesterday that it is rebranding to TI Media. The news follows the company’s acquisition by private equity firm Epiris LLP from Meredith Corporation in March, with the new name taking effect from 11 June 2018.
The Sun is launching a nation-wide competition in over 6,000 stores to build excitement and drive retail footfall ahead of the 2018 FIFA World Cup.
Morris Visitor Publications (MVP) has announced plans to roll out on-street distribution for London Planner magazine from June issues onwards.
DC Thomson Media title, 110% Gaming, launches a one off Fortnite Special magazine, for children aged eight to 14.
James Evelegh's editorial from this week's edition of InPubWeekly.
Hearst UK has announced the launch of a new incubator initiative - The Nest.
Motor Sport, the motor racing magazine, has announced the appointment of Joe Dunn as editor of Motor Sport magazine.
Fence Magazine is launching a digital archive which dates back to the title’s first issue, developed in partnership with digital publishing company Exact Editions.
The New European is undergoing a total takeover for one issue, and becoming The New Feminist.
Richard Dennen, Editor of Tatler, yesterday announced the appointments of Emma Elwick-Bates as Editor-at-Large and Harriet Verney as Fashion Features Editor.
As distribution becomes “dynamic” and circulation departments morph into audience teams, there is a real change in how publishers are managing the channels to the end-user, reports Jim Bilton.
James Evelegh’s roundup of some of the news stories that caught his eye over the last couple of months.
When looking for new inspiration for your own digital transformation journey, it pays to cast the net as wide as possible, looking outside your own industry and beyond your own borders. Carolyn Morgan moderated a number of sessions at the Digital Inn
It is said ‘crafting’ is worth £5.4bn to the UK economy, so no wonder the newsagent’s shelf is groaning with titles. Alan Geere sees who’s making it happen in a crowded marketplace.