Enzo magazine launches in France
Dennis has announced the launch of Enzo magazine in France, with the first Spring issue due to be published on 30th April 2018.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dennis has announced the launch of Enzo magazine in France, with the first Spring issue due to be published on 30th April 2018.
A new study by Newsworks and the Association for Online Publishing (AOP) finds that left brain memory encoding, which processes words and detail, is 42% stronger when people view ads on premium editorial sites than when they see the same ads on socia
Hearst UK yesterday announced that it has broadened the remits of its Managing Director roles across Luxury, Young Women’s and Health brands to maximise collaboration between editorial content and commercial partners.
Tate, the arts and galleries organisation, yesterday launched a digital edition of its official magazine Tate Etc, developed in partnership with digital publishing specialists Exact Editions.
Redan Publishing is launching Fun To Learn Friends Art magazine, which will contain art and craft activities featuring favourite pre-school characters such as Peppa Pig, Paw Patrol and PJ Masks.
Newscycle Solutions, a provider of software technologies for the media industry, this week announced the acquisition of Media Services Group, a supplier of integrated digital publishing, magazine advertising, and event management software for the glo
Email newsletters are a big hit amongst publishers. They generate big ad dollars and further engage audiences. While the term “win-win situation” is rather cringe-worthy, writes Mirabel Technologies’ Christie Calahan, it is actually the perfect way t
AdvantageCS has announced a new client for its subscriptions software, Belgian publisher Mediahuis.
Livingetc – Time Inc’s modern homes magazine – has launched a premium new website which aims to deliver, say the publishers, modern style inspiration and useful design ideas to an affluent digital audience.
Immediate Media has launched In The Moment, its wellbeing magazine, in France and Portugal. The magazine is published monthly and is on sale now.
Richard Dennen will be the new Editor of Tatler, it was announced yesterday by Albert Read, Managing Director of Condé Nast Britain.
Dan Heffernan's article in the Publishing Partners Guide 2018
David Hepworth's article in the Publishing Partners Guide 2018
Hutch Hicken's article in the Publishing Partners Guide 2018
Adam Sherman's article in the Publishing Partners Guide 2018