Haymarket sells rights to Clothes Show brand
Haymarket Media Group on Thursday announced the sale of its rights to the Clothes Show brand to consumer and fashion events specialist SME London Ltd.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Haymarket Media Group on Thursday announced the sale of its rights to the Clothes Show brand to consumer and fashion events specialist SME London Ltd.
The ABC yesterday released the consumer magazine circulation results for the July – December 2017 period and publishers have responded with their interpretation of the figures.
Yesterday’s Consumer Magazine report marks a key step change for ABC, revealing new industry agreed Standards that simplify reporting and further support market growth, says the ABC.
Vogue Poland, the 23rd global edition of the fashion title, debuts this week.
Bauer Media’s Planet Rock magazine is to publish four collector’s covers to mark the 50th anniversary of iconic rock band Led Zeppelin.
Signature Publishing has won an award for the second year running at Hasbro UK’s 2018 Brand Presentation.
James Evelegh's editorial from this week's edition of InPubWeekly.
Hearst UK yesterday agreed a deal with Telegraph Events to acquire Be:FIT, the fitness and wellbeing festival for women, Salon QP, the luxury watch fair and QP Magazine, the luxury watch magazine.
Bauer Media’s monthly music title, Q magazine, is to publish a photography collector’s issue, featuring specially curated iconic pictures from some of the industry’s most esteemed photographers.
Elle, Hearst’s fashion brand, has launched the Elle Weekender – a new interactive consumer event that will encompass fashion, beauty and wellness.
Dennis Publishing is closing the genealogy magazine Your Family History with the March 2018 issue.
Masha Fedorova has been appointed Editor-in-Chief of Vogue Russia, it was announced on Friday by Anita Gigovskaya, President of Condé Nast Russia.
Trinity Mirror has announced the proposed acquisition of Northern & Shell’s publishing assets for a total purchase price of £126.7 million.
Bloomberg's audio news briefs are now available on Apple devices via Siri with the release of iOS and tvOS 11.2.5, including HomePod, which will be available this Friday, February 9.
IPSO has appointed Helyn Mensah, a barrister, to its Complaints Committee.