Future appoints Chief Marketing Officer
Future has appointed Will Hattam as Chief Marketing Officer.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future has appointed Will Hattam as Chief Marketing Officer.
Hearst Magazines UK has appointed Kalpana Fitzpatrick as its Finance Editor.
Time Inc UK yesterday announced the appointment of Sarah Mockford as the new editor of Rugby World.
Ad tech firms Rezonence and Smartology, along with science and technology institute and media owner, The Smithsonian, are to become the first associate members of the World Media Group as it celebrates its 20th anniversary.
Marketforce has released details of the launch of Classic Routemaster, a new national partwork from Hachette.
The latest high productivity P version Stahlfolder will be delivered to the Buxton plant at the end of the month.
Haymarket Consumer Media has announced two key editorial appointments at Classic & Sports Car – its classic car media brand.
Egmont Publishing, the international children’s publisher, has increased the number of titles featured in Readly, from 12 to over 50.
To kick start a year-long initiative championing women’s equality, Stylist this week unveils its Suffragette issue, an entire edition celebrating the landmark centenary of some women first winning the right to vote.
Hearst announced this week in New York, that it has completed its transaction with Rodale to acquire the company’s global health and wellness brands.
Magnetic, the marketing body for consumer magazines, yesterday announced that Hearst UK President and CEO, James Wildman will replace Marcus Rich as chairman as of 1st January 2018.
Looking back on 2017 and forward to the year ahead, we grab five minutes with Andreas Schrader, CEO of content management specialists, vjoon.
Time Out London launches first standalone travel magazine as part of a multi-channel campaign for Marriott Rewards Moments.
Esquire, Hearst’s men’s magazine brand, has announced the appointment of Charlie Teasdale as Style Director, effective immediately.
Hearst UK last week announced the launch of its Big Book Festival, a new awards, accreditation and live events experience, aiming to discover the best new fiction and non-fiction titles in UK publishing.