GQ announces raft of new editorial hires
Dylan Jones, Editor of British GQ and Editor in Chief of GQ Style yesterday announced a number of new hires, as the magazine prepares to enter its 30th anniversary year.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dylan Jones, Editor of British GQ and Editor in Chief of GQ Style yesterday announced a number of new hires, as the magazine prepares to enter its 30th anniversary year.
A year-long research project involving Unilever, Nestlé, i2c, Nielsen, Nectar and the IAB UK has revealed the degree to which online display ads drive sales of popular household brands both in-store and online.
LBC presenter Nick Ferrari has become the first radio industry winner of the Journalist of the Year prize at this week’s British Journalism Awards.
FourFourTwo and Haymarket Media have announced the publication of Goal!, a pilot issue of a new football magazine for young readers.
The PPA Connect Awards, now in its fourth year, took place on December 8 at the London Marriott.
PageSuite has announced the launch of three separate ‘FLIPP’ apps for each of Egmont’s Publishing divisions in Denmark, Norway and Sweden.
WoodWing Software, specialists in content creation, introduces Aurora, the latest update to Enterprise, its multichannel publishing solution.
The complete digital archive of PN Review is available online for the first time with the completion of an extensive archiving project carried out in conjunction with digital publishing specialists Exact Editions.
Digital media company Refinery29 yesterday announced the promotion of Gillian Orr to Content Director of the brand’s UK operation. In addition, Sarah Raphael, previously Editorial Director, is moving to the new role of Editor at Large.
Following the success of its four Summer Weekly newspapers, Monocle is returning to the presses to deliver a winter expedition into crisp white paper, say the publishers.
James Evelegh's editorial from today's edition of InPubWeekly.
Amy Scott joins Global Media Hub as a Publisher Account Manager.
DC Thomson Media has released This Is Vlogmas! as part of the This Is magazine series.
Elle, Hearst’s fashion media brand, has announced the appointment of Phoebe Arnold as Fashion Director of Elle UK.
Kate Reardon has resigned from her role as Editor of Tatler after seven at the helm of the title, it was announced yesterday by Albert Read, Managing Director of Condé Nast Britain.