Mobile navigation

Consumer Magazines

Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.

Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.

For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.

Jon Bickley Our print strategy: Anthem

Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.

Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.


Essential Resources

Getting on the front foot
INTERVIEW

Getting on the front foot

For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.

Consumer media
Best Practice in Publishing

Consumer media

We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…

Super-serving audiences
INTERVIEW

Super-serving audiences

For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.

Our print strategy: Anthem
A Celebration of Print

Our print strategy: Anthem

The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.

The changing world of specialist media
INTERVIEW

The changing world of specialist media

With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.

Speaking to women, intelligently
INTERVIEW

Speaking to women, intelligently

Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.

Breaking free
INTERVIEW

Breaking free

Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.

Broadening the Revenue Base
MEDIA FUTURES

Broadening the Revenue Base

Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.

Building a modern specialist consumer media business
FEATURE

Building a modern specialist consumer media business

How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.

Circulation: how to make print circulation profitable
A Celebration of Print

Circulation: how to make print circulation profitable

For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.


All Articles

GQ announces raft of new editorial hires
News

GQ announces raft of new editorial hires

Dylan Jones, Editor of British GQ and Editor in Chief of GQ Style yesterday announced a number of new hires, as the magazine prepares to enter its 30th anniversary year.

13/12/2017

Unilever and Nestlé study reveals ROI of online ads
News

Unilever and Nestlé study reveals ROI of online ads

A year-long research project involving Unilever, Nestlé, i2c, Nielsen, Nectar and the IAB UK has revealed the degree to which online display ads drive sales of popular household brands both in-store and online.

13/12/2017

British Journalism Awards 2017 – Winners Announced
News

British Journalism Awards 2017 – Winners Announced

LBC presenter Nick Ferrari has become the first radio industry winner of the Journalist of the Year prize at this week’s British Journalism Awards.

13/12/2017

Haymarket unveils pilot issue of new football mag
News

Haymarket unveils pilot issue of new football mag

FourFourTwo and Haymarket Media have announced the publication of Goal!, a pilot issue of a new football magazine for young readers.

12/12/2017

2017 PPA Connect Awards – Winners Announced
News

2017 PPA Connect Awards – Winners Announced

The PPA Connect Awards, now in its fourth year, took place on December 8 at the London Marriott.

11/12/2017

PageSuite develops Kiosk App for Egmont Publishing’s FLIPP
News

PageSuite develops Kiosk App for Egmont Publishing’s FLIPP

PageSuite has announced the launch of three separate ‘FLIPP’ apps for each of Egmont’s Publishing divisions in Denmark, Norway and Sweden.

08/12/2017

WoodWing’s Aurora: Closing the gap between digital and print
News

WoodWing’s Aurora: Closing the gap between digital and print

WoodWing Software, specialists in content creation, introduces Aurora, the latest update to Enterprise, its multichannel publishing solution.

08/12/2017

PN Review announces complete digital archive with Exact Editions
News

PN Review announces complete digital archive with Exact Editions

The complete digital archive of PN Review is available online for the first time with the completion of an extensive archiving project carried out in conjunction with digital publishing specialists Exact Editions.

07/12/2017

Refinery29 announces changes to UK editorial team
News

Refinery29 announces changes to UK editorial team

Digital media company Refinery29 yesterday announced the promotion of Gillian Orr to Content Director of the brand’s UK operation. In addition, Sarah Raphael, previously Editorial Director, is moving to the new role of Editor at Large.

07/12/2017

Monocle launches ‘The Winter Weekly’ Newspaper
News

Monocle launches ‘The Winter Weekly’ Newspaper

Following the success of its four Summer Weekly newspapers, Monocle is returning to the presses to deliver a winter expedition into crisp white paper, say the publishers.

07/12/2017

Quality controlled?
COMMENT

Quality controlled?

James Evelegh's editorial from today's edition of InPubWeekly.

By James Evelegh  |  07/12/2017

Global Media Hub appoints Amy Scott
News

Global Media Hub appoints Amy Scott

Amy Scott joins Global Media Hub as a Publisher Account Manager.

06/12/2017

DCT Media launches This Is Vlogmas!
News

DCT Media launches This Is Vlogmas!

DC Thomson Media has released This Is Vlogmas! as part of the This Is magazine series.

06/12/2017

Elle UK appoints Fashion Director
News

Elle UK appoints Fashion Director

Elle, Hearst’s fashion media brand, has announced the appointment of Phoebe Arnold as Fashion Director of Elle UK.

05/12/2017

Kate Reardon resigns her role as Editor of Tatler
News

Kate Reardon resigns her role as Editor of Tatler

Kate Reardon has resigned from her role as Editor of Tatler after seven at the helm of the title, it was announced yesterday by Albert Read, Managing Director of Condé Nast Britain.

05/12/2017

8700 articles