FourFourTwo announces new international deals
FourFourTwo has announced major expansions into France and South Africa via partnerships with publishers in those territories.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
FourFourTwo has announced major expansions into France and South Africa via partnerships with publishers in those territories.
The Association for Online Publishing (AOP) has announced the shortlist for its 2017 Digital Publishing Awards.
The winners of this year's European Digital Media Awards were honoured on the first day of WAN-IFRA's Digital Media Europe Conference in Copenhagen, this week.
Cosmopolitan has announced the launch of Home, Made in partnership with Dot Dot Dot, the property guardian social enterprise.
The company behind Mixmag has acquired two iconic magazine brands, Kerrang! and The Face, from Bauer Media. The parent company will now be called 'Wasted Talent Ltd'.
The World of Interiors yesterday conducted its first commercial Facebook Live interview, with award-winning furniture designer Tom Faulkner.
Bauer Media’s Empire is to publish a “ground-breaking” virtual reality issue to coincide with the launch of the film, Alien: Covenant.
Hearst Magazines UK, the publisher of Esquire, ELLE, Cosmopolitan, Good Housekeeping and Harper’s Bazaar, has appointed Miles Dunbar as Associate Publisher of Esquire.
The Association of Circulation Executives (ACE) has announced the shortlists for its 2017 Newspaper and Magazine Awards.
Daily Mail and General Trust plc (DMGT) this week announced the sale of Elite Daily (ED) to Bustle Digital Group (BDG).
Kelsey Media has announced the acquisition Unity Media plc’s motoring titles.
History Today is having a complete redesign to increase, say the publishers, its distinctiveness and to emphasise the quality and variety of its content.
Time Out Group plc announced yesterday the appointment of Christine Petersen as CEO of its business division Time Out Digital, effective immediately and reporting into Time Out Group CEO Julio Bruno.
Driven by advertisers’ need to tap into people’s rising use of mobile to watch content, digital advertising grew at its fastest rate for nine years – by 17.3pc to £10.3 billion in 2016 – according to the Internet Advertising Bureau UK / PwC Digital A
Readly, the digital magazine newsstand, has just launched an enhanced mobile reading option for use on smaller screens.