Hearst and Condé Nast to withdraw from COMAG
Hearst UK and Condé Nast Britain this morning released a joint statement announcing their withdrawal from COMAG.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Hearst UK and Condé Nast Britain this morning released a joint statement announcing their withdrawal from COMAG.
The Newspaper & Magazine Awards 2017 event, organised by ACE, took place at the Sheraton Grand London Park Lane on Thursday 11th May 2017.
NME is collaborating with the BFI, the film organisation, and Zig-Zag, the rolling papers brand, to launch CineJam, its inaugural film festival, with live music and film colliding for a 10-night stint at the Rooftop Film Club in Peckham.
Hearst Live, the events division of Hearst UK - which publishes titles including Cosmopolitan, Good Housekeeping, Harper’s Bazaar and ELLE - has announced a series of significant hires.
The literary magazine Granta yesterday announced the launch of a digital archive featuring every issue of the 38 year old quarterly.
The first issue of Planet Rock magazine, featuring a mirrored and embossed Motörhead collectors’ cover, will hit newsstands on Friday, 12 May.
Spafax, a leading provider of in-flight entertainment and entertainment curation, media sales, and content marketing, recently announced the appointment of Gianfranco Caputo as Senior Media Sales Manager in its growing European media sales division.
The PPA has published the shortlists for its 2017 awards.
ShortList Magazine on Friday launched the ShortList TV Club – giving consumers exclusive access to see the “very best small-screen masterpieces” before anyone else, plus giving them the opportunity to meet the people behind them.
Air Business has unveiled its new corporate branding. With its subscription arm changing names from ‘Quadrant Subscription Services’ to ‘Air Business Subscriptions’, all areas of the business will now come under the Air Business brand.
Following the recent media supply chain furore, RadiumOne claims to have become the first adtech business in the UK to launch a division dedicated to improving online brand safety, tackling fraud and increasing transparency.
The British Media Awards event was held on 3rd May at the Hilton Park Lane.
Circdata, the subscriptions and event registration company, has appointed Hellen Beveridge to the new position of head of strategic insight, a connective marketing and data role.
To kickstart celebrations leading up to Vogue India’s 10th anniversary this Autumn, Mario Testino has guest edited the May issue, including an exclusive Kendall Jenner cover shoot in the Samode Palace, outside of Jaipur.
Archant’s Trade Marketing department has launched Archant Hub - a new central public-facing location for all Archant marketing collateral.