Mirror Media Ireland acquires RSVP
Trinity Mirror plc which operates under the brand of Mirror Media in Ireland has acquired Northpoint Consulting Ltd - the publisher of RSVP magazine and RSVPmagazine.ie.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Trinity Mirror plc which operates under the brand of Mirror Media in Ireland has acquired Northpoint Consulting Ltd - the publisher of RSVP magazine and RSVPmagazine.ie.
Edward Enninful, an acclaimed magazine fashion director who immigrated from Africa to London as a child, will become Editor of British Vogue effective August 1, it was announced by Jonathan Newhouse, Chairman and Chief Executive of Condé Nast Interna
Q magazine’s June 2017 cover features an exclusive Gorillaz design by the band’s co-creator, Jamie Hewlett.
Imagine, Immediate Media’s creative and content studio, won the Best Advertiser in Video at the inaugural Digiday Video Awards Europe for its “Upgrade your Mayonnaise” video campaign for Heinz Seriously Good Mayonnaise.
Elle, Hearst’s fashion media brand, has announced the appointment of Tom Meredith as Creative Director of Elle UK.
Bauer Media Group has selected SPRYLAB technologies to be its global, interactive e-publishing platform provider of choice.
The Magazine Production Company has welcomed to its team Michael O’Neill, who will offer advertising sales services to its clients.
Hearst Magazines UK, the publisher of Elle, Cosmopolitan, Good Housekeeping and Harper’s Bazaar, has appointed Anne-Marie Curtis as Editor-in-Chief of Elle.
The British Society of Magazine Editors has announced the shortlist for its 2017 Talent Awards.
Independent publisher KM Media Group has launched a new website and publication highlighting the county's attractions to visitors.
FourFourTwo has announced multi-platform content partnerships in two new countries – Nigeria (with SoccerNet NG) and Denmark (with MuninSports).
Glamour magazine yesterday announced a new media partnership for 2017 with the inaugural British Style Collective presented by The Clothes Show in association with Alcatel.
Canvasflow has launched version 2.0 of its HTML5 authoring platform, for creating rich, responsive content without the need for developers. Version 2.0 provides deeper integration with the Twixl Digital Publishing Platform.
Homestead, an interiors magazine, was launched in North London in March, as a result of a collaboration between Archant's content and commercial teams.
Immediate Media Co is launching World Craft Week, celebrating the best in crafting in the UK and around the world, from Monday 3rd to Sunday 9th April.