Subs bureau Dovetail to be wound down
Dennis Publishing and Immediate Media Co – joint-owners of subscriptions bureau Dovetail Services – have decided not to renew their joint venture agreement when it expires in April this year.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dennis Publishing and Immediate Media Co – joint-owners of subscriptions bureau Dovetail Services – have decided not to renew their joint venture agreement when it expires in April this year.
WWMD, the magazine distributor, is to close later this year.
Cosmopolitan has launched the Cosmopolitan Influencer Network, a pool of millennial influencers, which clients can exclusively partner with to integrate influencer-generated content into their commercial campaigns.
Officially announced as one of the first signatories of the Vision for Literacy Business Pledge 2017, the Air Business Group has positioned itself at the forefront of businesses committed to literacy and social mobility.
Alexandra Shulman, Editor-in-Chief of British Vogue for a quarter of a century, will stand down from the magazine in June of this year, it was announced yesterday by Nicholas Coleridge, Managing Director of Condé Nast Britain.
This week, Carolyn Morgan presented one of our Top Tips Webinars – entitled ‘Building a valuable media business - 7 ideas for 2017’. The webinar generated a variety of questions from publishers in the audience. Here are the answers, including those w
Immediate Media Co, the special interest content and platform company, yesterday announced the appointment of Michelle Royle as group editor of You & Your Wedding and Perfect Wedding.
Tia Graham is named Publisher of Vanity Fair, it was announced yestserday by Nicholas Coleridge, Managing Director, and Albert Read, Deputy Managing Director of Condé Nast Britain.
Gold Key Media were yesterday announced as the 2017 Sponsors of the David Campbell, Worldwide Hotel Receptionist of the Year Award.
Homes content expert Isobel McKenzie-Price, a previous editor of Ideal Home magazine has joined Media 10, owners of the 109-year Ideal Home Show exhibition, as Creative Content Editor across the portfolio of five shows for 2017.
Air Business has demonstrated its commitment to keeping its customers’ data secure through gaining BSI ISO 27001 certification for all three distribution sites.
PAMCo (Published Audience Measurement Company) has appointed Hana Murgani to the newly created position of Trade Marketing Manager.
Haymarket, the international media group, has filed annual accounts showing a 26 per cent rise in operating profits to £4.3m.
Immediate Media has launched BBC Focus, its science and technology monthly magazine, in Holland following an exclusive licensing arrangement with F&L Publishing.
Camilla Newman is named Publishing Director of Glamour, and Simon Leadsford is named Publishing Director of Brides, it was announced this week by Nicholas Coleridge, Managing Director, and Albert Read, Deputy Managing Director of Condé Nast Britain.