BSME Rising Stars Awards 2016 – the shortlist
The British Society of Magazine Editors has announced the shortlist for its 2016 Rising Stars Awards.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The British Society of Magazine Editors has announced the shortlist for its 2016 Rising Stars Awards.
Wil Harris, Head of Digital at Condé Nast Britain has announced two new additions to the Condé Nast Digital team.
Official Xbox Magazine, Future plc’s Xbox gaming title, has unveiled a full redesign of the magazine with the May issue, on sale on 8th April.
Egmont Publishing, the specialist children’s publisher, has announced the launch of PAW Patrol magazine.
Bauer Media’s Empire magazine has revealed nine exclusive X-Men: Apocalypse covers for the May issue on sale last week.
Castle Donington-based international freight, mail and e-commerce specialist, Spatial Global Limited, has a new corporate website.
Time Inc UK’s Innovation Lab last week launched Live-Smart, which it describes as the UK’s first lifestyle site dedicated to smart tech.
U2 bass guitarist Adam Clayton joins British GQ as Contributing Arts Editor, it was announced last week by Editor Dylan Jones.
On Monday 4 April 2016, Practical Caravan TV and Practical Motorhome TV will make their debut on Sky 212, Freeview 254 and streaming live online.
The revamped Forever Sports has expanded its reach, with a brand new ForeverSports.com and new editions in the Middle East and Latvia.
The ongoing media revolution is not only eliminating weaker brands and publishers, writes Karlene Lukovitz; it’s compelling the remaining players to rethink traditional print methods and models, even as they push ever farther into third-party digital
Jim Foster on the world of ePublishing
David Hepworth on magazines and beyond
Rising print and digital circulations, rising subscriptions, and rising data and transaction revenues make for a rosy picture at Immediate Media Co. Rapid growth is not without its challenges however, chief executive Tom Bureau tells Meg Carter, whic
If the future is video on mobile, how do publishers get in on the act? Monetisation, distribution and production challenges loom large, but, writes Martin Belam, if publishers keep experimenting and watching the metrics, then they’ll get there.