emc design launches new website
As part of emc design’s 25 year anniversary last week, the company has launched a brand new website.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
As part of emc design’s 25 year anniversary last week, the company has launched a brand new website.
Exact Editions is partnering with Portico the digital preservation and electronic archiving system to preserve a number of complete archives that are available on the Exact Editions platform as Perpetual Access purchases.
Future plc yesterday announced that Matt Downs and John Burke would be joining their senior commercial sales team as Director of Agency Sales and Head of Tech Partnership respectively.
The winners of the PPA's MagSell Awards were announced at a ceremony at Kings Place on March 11.
Digital publishing platform developer, Edition Digital, is making its Smart Digital Publishing System available free of charge to students.
Archant has expanded its media portfolio by launching International Prime Properties, a new quarterly global luxury property magazine.
Rhapsody announces the appointment of Christian Price, the former Commercial Director of Contentment, who has joined the business in the newly created position of Digital Commercial Director.
Q Magazine, Bauer Media’s music magazine, has joined forces with The 1975 to create an exclusive package that will be made available directly to the band’s fans.
PageSuite will be hosting a full day conference in London with guest speakers from the publishing industry.
Independent football magazine, When Saturday Comes, has this week launched the complete 30 year digital archive of the monthly magazine.
Bauer Media’s Yours Magazine, the fortnightly lifestyle magazine for women over 50, yesterday launched a tribute edition to celebrate the Queen’s life as she approaches her 90th birthday on April 21st.
Fans of the global hit game franchise, Candy Crush, can now take the fun off-screen and apply their skills to the page in a brand-new, magazine, Candy Crush Puzzles, on sale 16th March 2016.
The Condé Nast College of Fashion & Design is to offer a two-year intensive BA (Hons) Fashion Communication degree from October 2016, validated by the University of Buckingham.
Haymarket Media Group is celebrating after being named the Best Media Owner for New Talent for the second year in succession.
Time Inc UK yesterday announced the appointment of Michel Koch to the newly created role of chief marketing officer (CMO), reporting to CEO Marcus Rich.