BrightGen announces BrightMedia
BrightGen, a Platinum Salesforce Consulting Partner, this week announced the release of BrightMedia – a Salesforce Fullforce Solution for the media industry.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
BrightGen, a Platinum Salesforce Consulting Partner, this week announced the release of BrightMedia – a Salesforce Fullforce Solution for the media industry.
Immediate Media, the special interest and platform company, announces the launch of Lego Nexo Knights Magazine, a fun and interactive magazine aimed at 7-11 year children.
Future plc has announced two senior appointments in its GamesRadar+ global editorial team, with Susan Arendt being promoted to Executive Editor, US and Matt Elliott joining the team as Senior Commissioning Editor.
Adestra, a leading provider of marketing technology software and services, has been identified as one of London Stock Exchange’s ‘1000 Companies to Inspire Britain’.
The complete backfile of Resurgence & Ecologist magazine has launched online, with 633 issues now available.
Hearst Magazines UK has appointed Taylor Anderson as Editor of NetDoctor.co.uk, the health and wellbeing site which offers consumers access to expert and comprehensive health and lifestyle information.
Music brand NME is expanding its student reach by partnering with Topman for the fashion brand’s Topman 24 tour campaign, which sees a series of 24-hour music takeovers at five major UK cities this month.
Condé Nast has expanded the company’s portfolio of digital products and talent with the acquisition of leading editorial tech company, Poetica.
The Big Issue has appointed Russell Blackman as Managing Director of Publishing and Business Development. Blackman takes up the position with immediate effect.
i2media Ltd, publishers of Train, Train For Her and Fighters Only Magazines yesterday announced that Martin Rosales has been appointed as their new VP of Sales and Marketing effective immediately.
The latest release of the Internet Advertising Bureau UK’s Ad Blocking Report, conducted online by YouGov, reveals that 22% of British adults online are currently using ad blocking software – a rise from 18% in October.
Sport magazine is due to unveil a fresh design with a raft of new features.
FourFourTwo, the football brand, has just launched its new US site, marking Haymarket Media Group’s first consumer launch in the States.
James Tye, CEO of Dennis Publishing, has officially taken up the role of Chairman of the Professional Publishers Association (PPA).
Deloitte, the professional services firm, and the Association of Online Publishers (AOP) this week unveiled the findings from the latest Digital Publishers Revenue Index report (DPRI) showing UK publishers experienced overall revenue growth of 5.2% i