Launch: Art therapy presents Disney
Hachette has launched Art therapy presents Disney, new monthly magazine on sale now.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Hachette has launched Art therapy presents Disney, new monthly magazine on sale now.
Hearst Magazines UK, the publisher of Cosmopolitan, Good Housekeeping, ELLE and Harper’s Bazaar, has made key changes to its commercial team to further drive revenue growth.
The UK’s Joint Industry Committee for Web Standards (JICWEBS) – the independent body that defines best practice and standards for online ad trading – has announced the next stage in the move to tackle online ad fraud.
Bloomberg Media has today announced a range of ad tech tools, providing commercial partners in EMEA with what it describes as a best-in-class technology suite to reach a high-value audience with the right content in the smartest and most effective wa
Harper’s Bazaar and Town & Country have announced the appointment of Lydia Slater as Deputy Editor.
Subscription bureau ESco Business Services Limited has undergone what it describes as a “miniature rebrand”.
Every year, university students from PPA accredited degree and Masters courses compete for the Best Original Concept category in the Magazine Academy Awards. But what makes a winning entry and could it survive in the market? Mary Hogarth finds out…
The shortlist for the 2015 Digital Magazine Awards has been announced. Entries were received from over 30 countries with finalists named in 23 categories, say the organisers.
Bloomberg Media has announced a number of new senior roles in its commercial team.
Harper’s Bazaar has made two new senior appointments to its commercial team. The fashion magazine has appointed Jo Glynn-Smith as Commercial Editor and Anna O’Sullivan as Fashion and Luxury Director of the Commercial team.
NME is partnering with MEC and Netflix in a deal spanning print and digital to promote season two of Netflix original series ‘BoJack Horseman’.
Time Inc will launch a US bespoke edition of Wallpaper* and significantly increase US-related content to Wallpaper.com, it was announced by Evelyn Webster, Executive Vice President, Time Inc.
The British Society of Magazine Editors has announced the shortlists for the Innovation / Brand-Building Initiative of the Year, Campaign and two new Cover of the Year categories. This completes the shortlists for this year’s awards.
Future plc announces the launch of Professional Photography magazine – the latest addition to its photography portfolio.
DC Thomson has released the official Thunderbirds Are Go Magazine to accompany ITV Studios and Pukeko Pictures’ action adventure series Thunderbirds Are Go.