PPA Digital Awards – shortlist announced
The PPA has announced the shortlist for the its Digital Publishing Awards 2015.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has announced the shortlist for the its Digital Publishing Awards 2015.
Magnetic, the marketing agency for magazine media, has announced the line up of speakers and contributors for a half day event in London named Spark.
Time Inc UK today announces the appointment of Hannah Fernando to the new role of executive editor of its celebrity and style weekly Now.
Andy Hart has been appointed senior vice president, chief revenue officer of Hearst Magazines International (HMI), a newly created role.
The Net-A-Porter Group has partnered with American cosmetics giant Elizabeth Arden, Inc. on an innovative ad campaign that centres around original social media-style, co-branded content.
The Internet Advertising Bureau (IAB UK) has released a set of guidelines to help the marketing industry provide more transparency to consumers around digital advertorials.
Bauer Media has announced the launch of a new e-commerce platform, Dabbl, as part of their continued focus on digital product development.
Look, Time Inc UK’s fashion weekly, has joined forces with Warner Bros Pictures UK to create a tailor-made cross platform campaign to celebrate the launch of upcoming comedy The Intern.
Women’s Health, published by Hearst Magazines UK, has appointed Katie Mulloy as Editor.
Glamour will be launched in Turkey in Spring 2016, it was announced yesterday by Jonathan Newhouse, Chairman and Chief Executive of Condé Nast International.
In a media first, two of the UK’s biggest magazine publishers, Time Inc. UK and Bauer Media UK, have united to launch a prestigious MA magazine journalism scholarship at Sheffield University in memory of extraordinary journalist Gavin Reeve-Daniels.
Haymarket Media Group is to relocate its UK business to Twickenham and will move 1000 employees from its current base in Teddington before the end of the year.
Sir David Attenborough was named the first inductee of the Radio Times Hall of Fame at the opening night of the inaugural Radio Times Festival last Thursday at The Green at Hampton Court Palace.
Outbrain, the content discovery company, has appointed Eric Hadley to the newly created role of Global Head of Marketing Solutions.
TeamRock has selected Air Business Group as their sole end to end distribution and subscriptions management partner.