ES Deluxe magazine publishes three different covers
The London Evening Standard has today announced that its latest Deluxe magazine issue, a men’s fashion special, has been designed with three separate covers.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The London Evening Standard has today announced that its latest Deluxe magazine issue, a men’s fashion special, has been designed with three separate covers.
Haymarket’s Caravan Group has announced the launch of its new bespoke classifieds solution for Practical Caravan and Practical Motorhome.
Signature Publishing is this week launching Transformers: Robots in Disguise magazine.
Esquire, Hearst’s men’s magazine, is this week launching its standalone new brand, The Big Watch Book, with an exclusive Harrods partnership.
Haymarket has welcomed 10 new apprentices to the business as part of the Haymarket Skills Academy.
Bauer Media has announced the expansion of Adventure, its creative division, with a series of new team appointments.
Fans of gadgets, innovations and ground breaking technology have been given a new fix to feed their tech needs, with the arrival of Gadget magazine - Imagine Publishing’s latest technology title.
The PPA has announced the shortlist for its 2015 Independent Publisher Awards.
The Mirror Collection – Real Crime Casebooks, a special issue from Mirrorpix, goes on sale 15 October, priced £5.99.
Advertising needs to do more to keep up with societal changes and connect with mums, Time Inc. UK and Starcom Mediavest Group (SMG) have found in a major study focusing on mums with children aged under 15 – a group it has named MUMentum Mums.
Advertisers spent a record £3.98 billion on digital advertising in the first half of 2015 – up 13.4% year-on-year – according to the latest Internet Advertising Bureau UK Digital Adspend report, conducted by PwC.
Global business technology Ve Interactive has appointed senior digital consultant Peter Smith to head up the publishing sector, where he will be overseeing accounts including The Times, Time Magazine, Drum and Foyles.
To combat the rising issue of ad viewability, Exponential has partnered globally with analytics company Moat to only charge advertisers for video ads that are viewable according to the IAB’s definition.
Dennis Publishing today announces the launch of Coach – the new multiplatform brand for men who want – or need – to do something to make themselves feel healthier and fitter.
Wolfgang Blau has been named Chief Digital Officer of Condé Nast International with responsibility for the digital growth of Vogue, Vanity Fair, Wired and other media brands around the world, it was announced yesterday by Jonathan Newhouse, the compa