New partwork: Dr Who - the Complete History
Doctor Who - The Complete History, a new 80 part partwork, goes on sale 9 September.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Doctor Who - The Complete History, a new 80 part partwork, goes on sale 9 September.
Magnetic, the marketing agency for magazine media, has announced the appointment of Anna Sampson as Head of Insight.
Egmont Publishing, the specialist children’s publisher, announces the launch of the new Bob the Builder magazine.
Sheena Harvey will be joining Immediate Media as the new Editor of BBC Wildlife magazine from Monday 28th September replacing Matt Swaine.
Terri White has been appointed Editor-in-Chief of Bauer Media’s flagship film and entertainment brand, Empire.
Kaldor has announced the launch of the latest Pugpig-powered app, supporting a publication with more than a century of history, Investors Chronicle.
Esquire has landed the first UK interview and photo shoot exclusive with Daniel Craig ahead of the international release of Spectre, the new James Bond film, in November.
The Debrett’s Academy, with its reputation for delivering training and consultancy on etiquette has partnered with Tatler to launch The Debrett’s and Tatler School of Etiquette.
Hearst Magazines UK, the publisher of Good Housekeeping, ELLE and Harper’s Bazaar, is introducing new ways for its customers to access its content, with Cosmopolitan the first brand to trial this approach.
Classic Sailor, a new monthly magazine for sailors and boat enthusiasts of all types, goes on sale 2 September, priced £3.95.
Precision Colour Printing has welcomed on board three new members of the team: Marketing Manager, Emma Ball and Sales Executives Richard Kibble and Peter Helfrich.
Press Association (PA) has appointed Alex Rothwell as its new Head of Video.
Kaldor and Crash Media have launched the MOTO magazine app using Pugpig Professional on iOS, Android and Web.
Future yesterday announced a sponsorship deal across their tech brands with Continental Tyres, that includes the headline sponsorship of the T3 Awards 2015.
ark media has added media screens to their magazine stands in the recently refurbished Mayflower Cruise Terminal in Southampton.