Laura Rowe named as new Olive Magazine Editor
Immediate Media, the special interest content and platform company, has appointed Laura Rowe as the new Editor of monthly food title olive magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Immediate Media, the special interest content and platform company, has appointed Laura Rowe as the new Editor of monthly food title olive magazine.
Archant has today reported a strong start to the year and modest revenue growth in a letter to shareholders from chairman Simon Bax.
Condé Nast Britain yesterday announced the debut of The Vogue Beauty School Series, launching with ‘How To Cleanse’, a step-by-step visual guide, now live on the Vogue video channel.
The ABC yesterday released the consumer magazine circulation results for the January – June 2015 period and publishers have responded with their interpretation of the figures.
Trinity Mirror is publishing a special oneshot, The Mirror Collection – Queen Elizabeth II: The Longest Serving Monarch, celebrating the Queen becoming the longest-reigning monarch. It goes on sale 20 August, priced £5.99.
Time Inc UK yesterday announced that Mark Frith will take the reins as editor-in-chief of celebrity and style weekly Now, succeeding Sally Eyden.
Future yesterday announced the launch of Crime Scene, a brand new quarterly magazine, specialising in the hottest crime drama from around the world.
The Economist Group announced today that it will buy back 5.04m ordinary shares (20% of total share capital) from Pearson plc for £182m.
Time Inc (UK) announces today that it has made a strategic investment in Snap Fashion, a visual search business specialising in fashion.
PressReader, the all-you-can read magazine and newspaper platform, has announced its partnership with Italy’s largest publishing company, the Mondadori Group.
Betting newspaper Racing Post have launched a new digital-only horse racing magazine, The Winning Circle.
Back Street Heroes, a leading custom bike magazine, has joined the stable of motorcycle publications at independent publisher Mortons Media Group.
Last week, the National Theatre launched its new application National Theatre Backstage at Adobe's launch of its re-imagined Adobe Digital Publishing Solution (DPS) in New York.
Henry Zeffman, a 20-year-old PPE student from Oxford University, has been announced as the winner of the 2015 Anthony Howard Award for Young Journalists.
Avalon Consulting, LLC and censhare AG have announced a new partnership facilitating the creation of semantic communications systems for data-driven enterprises.