Shortlist Media appoints Executive Editor, Film & Gaming
Jonathan Pile has been appointed Executive Editor, Film & Gaming across the male portfolio of Shortlist Media – Mr Hyde, ShortList.com and ShortList.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Jonathan Pile has been appointed Executive Editor, Film & Gaming across the male portfolio of Shortlist Media – Mr Hyde, ShortList.com and ShortList.
Digital Spy, Hearst UK’s entertainment brand, has appointed Matt Hill to the position of Deputy Editor.
Eight in 10 consumers are interested in buying a smart tech product for the home but the purchase journey can take up to three months, according to new research by Time Inc. UK, which was revealed on Friday at London’s Smart App-artment.
ark media has launched an app, designed to be a platform for both publishers and venues.
DC Thomson has appointed Gareth Whelan in to the new role of Editor-in-Chief of Boys’ Magazines.
The Wall Street Journal on Friday introduced an app for Apple Watch that provides subscribers at-a-glance, real-time news and market data.
The Independent Press Standards Organisation (IPSO) has today announced a new Board member, Mehmuda Mian.
The names of the finalists competing for the PPA Awards 2015, have been revealed.
Glamour announces Taylor Swift as special Guest Editor of the June 2015 issue
IPSO has announced the appointment of Niall Duffy as its first Director of External Affairs.
Toyota is the first Forbes marketing partner to launch a 'Pulse' campaign
According to the company, it showcases ambitious new features that underscore the brand's commitment to high-impact and ideas-driven journalism
Auto Express announces that Warrantywise will be the first ever headline partner for the Auto Express New Car Awards 2015.
Eleven is a new bi-monthly digital football magazine app.
The Wall Street Journal yesterday unveiled a redesigned WSJ.com. Designed and built in-house, the fully responsive website delivers a fast-loading digital experience that is consistent across all screen sizes and devices, say the publishers.