Campaign appoints Douglas Quenqua as its US Editor-in-Chief
Haymarket Media Group has appointed Douglas Quenqua as its first US editor in chief of Campaign.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Haymarket Media Group has appointed Douglas Quenqua as its first US editor in chief of Campaign.
Time Inc. UK has launched theROOMedit.com, an interiors website designed to make dream decorating an easy reality.
France Magazine has published its 200th edition, the May 2015 issue. To celebrate the landmark event, the Archant magazine features the 200 best experiences in France – the ultimate guide to French holidays, says the company.
The first issue of Organic Life, previously known as Organic Gardening, goes on sale 28 April, priced £4.75.
Publishing software developer PCS has appointed Gareth Williams as Operations Director.
Quadrant, part of the Air Business Group, has launched their Telephone Cancel Saves service which aims to hand power back to publishers and save hard earned subscriber revenue and circulation rates.
The ACE Press Awards, now it its 64th year, was held last night at the Dorchester in London.
Bloomberg Media today announced an advertising partnership with Microsoft within the Bloomberg Hub experience at London City Airport (LCY).
In a media first, You & Your Wedding, the UK’s leading bridal brand, has had a real brides takeover with 14 brides-to-be guest editing its latest issue and a ‘real bride’ as its cover star for the first time.
vjoon, a leading developer of software solutions for managing digital content and maker of vjoon K4, has signed on as both integration and development partner with Aysling, a provider of digital publishing and marketing software solutions for publish
Glyn Moody, Mark Walton and Cathleen O’Grady all join the Ars Technica UK editorial team, it was announced yesterday by S.I. Newhouse IV, Ars Technica’s UK Business Director.
Uncut is introducing to the UK, US and Rest of the World markets a series of deluxe collectors’ specials that will launch as part of the brand’s ‘Ultimate Music Guide’ series.
Bauer Media is launching Adventure, a cultural creative agency, with the capabilities to create, produce and deliver campaigns with deep cultural resonance for brands, says the company.
TeamRock, the multi-media content creation and distribution business for the global rock community, is now two years old, and has achieved One Million registered Users, four times its original target, says the company.
Haymarket Media Group has appointed Brian Freeman Group Finance Director. Brian will take up the role following the departure of Jeremy Duckworth.