Oneshot: Sir Matt Busby: The Father Of Manchester United
Sir Matt Busby: The Father Of Manchester United, a oneshot from Sport Media, goes on sale on 1 April, priced £4.99.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Sir Matt Busby: The Father Of Manchester United, a oneshot from Sport Media, goes on sale on 1 April, priced £4.99.
Egmont Publishing, the specialist children’s publisher, announces the launch of Disney Princess Palace Pets magazine.
Jim Foster on the world of ePublishing
Underpinning the success of Imagine Publishing is a belief in paid-for quality content, a wholehearted embrace of all digital platforms and an ongoing commitment to print. As the company enters its tenth year, MD Damian Butt tells Jo Bowman why he is
Don’t know your saltimbocca from your bourguignon? And is your Eton Mess just a muddle? Never fear, there is a food magazine on a newsstand near you with all the answers. Alan Geere looks for the recipe for publishing success.
David Hepworth on magazines and beyond
In the process of launching a new magazine? If so, your hands are probably pretty full and the chances are that fine-tuning your social media strategy is not your top priority. But, warns Amanda MacArthur, don’t leave it too late. The earlier you sta
The PPA’s annual Publishing Futures survey provides the most comprehensive set of data on the UK consumer magazine and business publishing sector. What does it tell us about where the industry is heading? And is the mood of the industry changing as w
It says much for the impact Shortlist Media made when it burst onto the scene in 2007 that it seems to have been around forever! Meg Carter talks to MD Karl Marsden about the publisher’s new content solutions offering, native advertising, future laun
In the face of ever increasing cost pressures, how can the newspaper and magazine industry ensure a sustainable future? As Chris Birch, IT Director at News UK, tells James Evelegh, there is one option which would have been unimaginable a few years ag
Despite further falls in print circulation, magazine brands’ growing cross-platform presence and their continuing strong bonds with readers, give grounds for optimism. But, writes Jamie Higginson, the industry must accelerate its search for new and c
Predictably, writes Karlene Lukovitz, the latest developments on these shores can be viewed as positive, exhilarating progress; neutral change; unfortunate but necessary change; or steps backward, depending on the beholder's agenda and background. In
When Net-a-Porter decided to launch a magazine, it assembled an experienced and talented publishing team with the express purpose of producing a great fashion magazine. As Porter celebrates its first birthday, Ciar Byrne talks to Tess Macleod Smith a
As the growth of digital magazines splutters, Rebekah Billingsley looks at what’s behind the digital numbers and why we should still be looking for something to save publishing.
Jordan Waller has been appointed as the new editor of ShortList.com. Jordan joins the ShortList team from FHM where he oversaw both the website and the back section of the print edition.