Launch: Inspired Bride
Inspired Bride, a new monthly magazine from River Media Devon, went on sale 1 April, priced £3.95.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Inspired Bride, a new monthly magazine from River Media Devon, went on sale 1 April, priced £3.95.
Haymarket has delivered a significant improvement in pre-tax profits for the financial year ending June 30, 2014, following a solid operating performance and a number of asset disposals in the period.
Procter & Gamble (P&G) has become the first advertiser to obtain the EDAA Trust Seal for best practice in Online Behavioural Advertising.
The top marketing channels that achieve the best Return on Investment are Email Marketing and SEO – 25% of marketers say both rank as ‘excellent’ – according to the latest Email Marketing Industry Census 2015 from Econsultancy/Adestra.
WoodWing Software announced yesterday that its digital asset management solution, Elvis DAM, can now be integrated with either MEI’s cloud-based workflow solution TruEdit or the cross-media publishing platform vjoon K4.
Time Inc. UK has appointed Lisa Batty as marketing director, Advertising. Lisa takes up her role with immediate effect, reporting to Amanda Wigginton, director of Insight.
Outbrain, the content discovery platform last week announced an exclusive multi-year global deal with ESPN to deliver sponsored content recommendations to its users around the world, while taking advantage of Outbrain’s real-time analytics and insigh
The Golf Paper, a new addition to the world of Golf is set to be launched on April 8th 2015.
Glamour and feelunique.com will be partnering to launch the Glamour Beauty Boutique, a dedicated e-commerce destination, due to go live later this year.
DMGT has reported underlying revenue in line with last year for the five months to the end of February 2015. Its B2B businesses reported strong underlying revenue growth of 4% during the period.
On 10th March, John Cunningham presented an InPublishing ‘Top Tips Webinar’, entitled ‘5 Top Tips to Maximise your Creative Assets in the Digital Age’. Here, John provides further information in response to the questions put to him in the Q&A that fo
PCS, the midlands based publishing software developer, has recently made a considerable investment in new graduate talent.
Cycling Plus, Immediate Media’s cycling magazine, has taken on a clean and contemporary new look for its 300th issue on sale next week.
This month, Gurgle magazine follows up on its recent increase to monthly frequency with a fresh new look combined with a big promotional push.
Glamour Iceland is launched today, the 17th global edition of the women’s magazine.