BA launches Chinese edition of High Life magazine
British Airways yesterday announced that it will launch a Chinese edition of its in-flight magazine, High Life.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
British Airways yesterday announced that it will launch a Chinese edition of its in-flight magazine, High Life.
The Association of Online Publishers (AOP) yesterday announced the formation of a premium publisher alliance for the UK, empowering publishers to capitalise on increasing demand for scale and quality in programmatic advertising.
Premier Tax Free has partnered with leading publisher of tourist media, Morris Visitor Publications (MVP), to create a series of luxury shopping guides for Europe as part of a new approach to interacting with high-net-worth international shoppers.
T3, Future’s lifestyle technology media brand, unveils the tenth annual T3 Hot 100 – the list of the most wanted gadgets, tech innovations, trends and brands.
Vanity Fair Mexico, the sixth edition of the magazine, debuts on newsstands on 23rd March, it was announced yesterday.
Hearst Magazines UK, the publisher of Good Housekeeping, Cosmopolitan, Harper’s Bazaar and Esquire yesterday announced its recognition of three senior female industry executives.
MPP Global has announced the launch of its new Metering & Entitlements Module, part of the company’s eSuite platform.
Wallpaper.com has launched a dedicated watches and jewellery channel – an online first for an international design title, say the publishers.
Magnetic, the marketing agency for magazine media, opened its doors to advertisers yesterday with an objective to prove the growing power and influence of magazine media and its value to advertisers.
Signature Publishing, licensed by Hasbro, is launching another bi-monthly magazine for the brand, My Little Pony Equestria Girls.
vjoon announced yesterday it is partnering with Extensis, a leading developer of solutions for managing digital content, to integrate font management into vjoon’s publishing platform.
MPP Global has announced significant enhancements to eSuite, the company’s cloud platform for content monetization.
Art Therapy, a new weekly partwork published by Hachette Partworks, goes on sale today at the initial price of 99p.
Vanessa Kingori has been appointed Publisher of GQ, it was announced yesterday by Nicholas Coleridge, President of Condé Nast International and Managing Director of Condé Nast Britain.
Imagine Publishing’s flagship magazine, How It Works, the popular science and technology magazine, this week announced the launch of its latest mobile app, Great Days Out.