Healthy Food Guide launches new responsive website, built by Rhapsody
Rhapsody, a leading cross-media production specialist, has designed and built a new responsive mobile-optimized website for Healthy Food Guide.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Rhapsody, a leading cross-media production specialist, has designed and built a new responsive mobile-optimized website for Healthy Food Guide.
Peter Harris, the founder of Homebuilding & Renovating magazine, is calling time on a Centaur Media career lasting more than a quarter of a century.
The shortlist for the ACE Press Awards, to be held on 16th April 2015 at the Dorchester, has been announced.
The Press Distribution Review Panel's Annual Report for the period 1st November 2013 - 31st December 2014 has been published.
Key Publishing has announced that the Competition and Markets Authority has cleared Key Publishing’s acquisition of Kelsey Publishing’s aviation and military history portfolio.
Hearst Magazines UK, the publisher of Cosmopolitan, Elle, Esquire, Good Housekeeping and Harper’s Bazaar has strengthened its Communications team.
Archant has announced the appointment of Will Hattam as Chief Marketing Officer, to lead the company’s overall marketing strategy and evolution, including its continued digital development.
GamesRadar+, Future’s global entertainment brand, today unveils the site’s more in-depth and analytical News and Review sections, and sees significant editorial team changes.
The Beano celebrates Red Nose Day with a red and gold pop art inspired cover.
Jamie Bill, the Publishing Director of British Gentlemen’s Quarterly, will become Executive Director of Condé Nast Global Development with responsibility for generating new business across borders, platforms and categories, it was announced today.
House Beautiful has launched a premier collection of contemporary custom-built houses.
SAS Scandinavian Airlines will no longer offer paper-based onboard reading for their passengers. Instead, the focus is on digital reading, and members of the SAS Eurobonus program will now be able to access Readly’s entire catalogue of close to 1,000
The Economist app is now available through Galaxy Gifts on Samsung’s new flagship smartphones, the Samsung Galaxy S6 and Galaxy S6 edge, which were unpacked at Mobile World Congress in Barcelona on 1st March.
The Readly app is now also available in a Windows Phone version, complementing the existing versions for iOS (Apple), Android, Windows 8.1 and Kindle Fire.
Time Inc UK has launched Rewards, a loyalty reward programme for its magazine subscribers.