Independent Publisher Awards – shortlist announced
The PPA has announced the shortlist for this year’s Independent Publisher Awards.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has announced the shortlist for this year’s Independent Publisher Awards.
Ours Magazine, the alternate monthly magazine from Omni & Co, targeting the “conscious and critical citizen” has its newsstand launch on 30 October, priced £6.90.
Archant Dialogue has launched a new interactive magazine app for one of its print publications - Skydive.
Future has announced new editorial appointments for its Technology Group. Matt Hill, previously Editor of T3 Magazine and Digital Editions, joins Gizmodo UK to lead the team as Editor. Tom Dennis becomes Editor of T3, following his time working on Fu
Circdata, a leading provider of event registration and data solutions, is to expand its services into the rapidly expanding Middle Eastern market by opening a new office in Dubai.
Yesterday, Rebekah Billingsley presented an InPublishing ‘Top Tips Webinar’, entitled ‘How To Improve The Discoverability Of Your Digital Magazine’. In the Q&A session that followed Rebekah’s presentation, we ran out of time before all the questions
Last week, Peter Houston presented InPublishing’s first ‘Top Tips Webinar’, entitled ‘How to balance publishing’s three-legged stool - Content, Audience, Revenue’. In the Q&A session that followed Peter’s presentation, we ran out of time before all t
Passionate objections from journalists not employed by the companies that are dropping traditional barriers between editorial and advertising aren't likely to change the industry's direction at this point, writes Karlene Lukovitz.
Publicising a forthcoming issue helps increase copy sales. Kind of obvious really. One arena where pre-publicity, if handled well, can lead to big uplifts is social media. The key, says Amanda MacArthur, is doing it well!
Square Up Media was launched when its founders spotted a gap in what proved to be a highly lucrative market; its expansion, however, has been driven by a desire to fill a gap in the hearts of its young and lively team of staff. As the company approac
Trust is the bedrock of our relationship with our readers. In a world where publishing budgets are under severe pressure and native advertising is being heralded as the industry’s saviour, trust has never been harder to win or maintain.
With many consumer publishers investing heavily in social media and other touchpoints that don’t register on the ABC dial, what can an analysis of the latest ABCs really tell us about the state of the magazine sector and, asks Jamie Higginson, how re
David Hepworth's regular column, in the September / October 2014 issue of InPublishing magazine.
The publishing industry is under pressure. Journalism is undergoing a dramatic transformation, and the processes that have underpinned the publishing industry for decades are profoundly changing. Martin Maynard talks to Roel-Jan Mouw, CEO of WoodWing
Jim Foster’s regular column, looking at the world of ePublishing, in the September/October 2014 issue of InPublishing magazine.