Rhapsody launches new automated digital publishing platform
Rhapsody, the cross-media production agency, has unveiled ePublish, a CMS-based digital publishing platform, for the creation of digital apps and websites.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Rhapsody, the cross-media production agency, has unveiled ePublish, a CMS-based digital publishing platform, for the creation of digital apps and websites.
The Beano is stepping into the world of contemporary fashion, as DC Thomson Consumer Products today announces the first ever The Beano menswear line exclusively on leading fashion online store, ASOS this month.
The International Federation of Audit Bureaux of Circulation (IFABC) General Assembly is taking place for the 26th time in Rio on 4th - 6th November, hosted by IVC the Brazilian audit bureau.
The NET-A-PORTER Group has announced the appointment of Jane Wynyard to the newly-created role of Head of PR, Net-a-Porter Group Publishing.
Business Insider, one of the world’s fastest-growing news brands, officially debuts in the UK today at uk.businessinsider.com.
Bauer Media yesterday launched a hyper-targeted, dynamic outdoor brand campaign for The Debrief - the digital lifestyle brand for 20-something women.
On 3rd November, as part of its on-going international expansion, TeamRock launches a brand new subscription service, TeamRock+, available via www.teamrock.com.
Morgan Rees has been appointed editor-in-chief of Bauer Media’s flagship film brand, Empire.
Signature Publishing has teamed up with Magic Box Int, to launch a magazine for one of the biggest selling collectables of 2014, Zomlings.
Following stringent audits, Air Business Group, the global mail, distribution, fulfilment and integrated subscriptions management bureau has achieved the highest level of internationally recognised quality and environmental standards ISO 9001 and ISO
The Chelsea Magazine Company has announced the appointment of Kate Finney as Editor of its new luxury parenting titles, Baby London, Baby Hampshire, Baby Surrey and Little London.
Data released this week by the Advertising Association/Warc shows UK advertising spend grew at its fastest rate for three years in Q2 2014. Growth of 8.5% year-on-year (reaching £4,515mn for the quarter) was the highest since Q3 2010.
The shortlist has been announced for the 2014 Digital Magazine Awards.
ELLE has announced that fashion retailer H&M will be the sponsor of the ELLE Style Awards 2015.
Vanity Fair will be launched in Mexico in April 2015, it was announced yesterday by Jonathan Newhouse, Chairman & Chief Executive of Condé Nast International.