The Beano samples with The Daily Mirror
The Beano has created a bespoke 32-page collector’s edition for The Daily Mirror.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Beano has created a bespoke 32-page collector’s edition for The Daily Mirror.
Two of Bauer Media's flagship music brands have teamed up for what the company says is an industry first.
Country Life magazine is publishing its first Gentleman’s Life supplement, following the success of its inaugural Gentleman of the Year Awards and its much-debated ‘Gentlemanly Commandments’.
Good Homes, acquired by Media 10 in September, has been redesigned. The new look magazine goes on sale 31 October, priced £2.99.
Haymarket Media Group’s plans to redevelop its Teddington site to provide a high quality residential scheme were approved by Richmond Borough Council last week.
Previously a London lifestyle magazine, The London Magazine will now focus on prime London property and related features.
Immediate Media Co, the special interest content and platform business, yesterday received the phase one decision of the Competition & Markets Authority following its review of Immediate’s recent acquisition of a number of Cycling and Craft brands fr
Imagine Publishing's flagship videogames website, NowGamer.com first went live in February 2009 and has grown to a peak of over two million monthly unique users, says Imagine Publishing.
Carbuyer.co.uk, Dennis Publishing’s car reviews website, has reached 250,000 subscribers on its YouTube channel, just days after achieving 100 million views for its videos.
An exhibition showcasing the winning photography from this year’s NME Music Photography Awards with Nikon will open on 22nd October at NME’s headquarters, the Blue Fin Building, London.
Time Inc UK is strengthening its mobile and video capabilities with the creation of two new senior positions on its digital team.
Interior designer Victoria Meale will curate a series of three window displays for Christie’s South Kensington in association with House & Garden it was announced yesterday.
Newspaper publishers in co-operation with consumer magazine publishers, advertisers and agencies, yesterday announced the timing for its review of audience measurement for published media brands, with the aim of introducing a new system of measuremen
PageSuite, a digital publishing company, has launched a new app CMS that offers clients greater control over their apps. PageSuite Infinity allows users to build, manage and publish apps in one seamless workflow.
Condé Nast International will be hosting a hackathon, taking place over the weekend of November 22nd and 23rd in London.