Digital Spy launches first print magazine
Digital Spy, a UK TV and movies website, last week announced the launch of its first ever print magazine, British Comedy Legends.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Digital Spy, a UK TV and movies website, last week announced the launch of its first ever print magazine, British Comedy Legends.
Publishers face challenges on a number of fronts, but are reasserting themselves and taking control of their own destiny. Pierre Orlac’h, chief supply officer, Sparteo, explains how.
People like playing puzzles. Fact. So, explains Puzzler Media’s Lynda Newland, if you incorporate puzzles into your content offering, then you can increase dwell time and retention and as well as other marketing KPIs.
The latest in a series of investments, Warners Midlands Printers has announced it has taken delivery of new automation equipment for its bindery as it increases the efficiency of its plant.
Time Out brings Time Out Eat Street to Between the Bridges, the pop up entertainment venue on the South Bank.
Spring hasn’t sprung until CRUNCH takes place, writes Richard Reeves, MD of the Association of Online Publishers, which recently held its first CRUNCH event of the year. The mood was suitably optimistic for a change of season.
HELLO! has announced the launch of HELLO! London - a premium bi-annual field guide to the UK’s capital.
PA Media Group today announces the appointment of Paul Hunt as managing director of StreamAMG, its sports streaming business.
Future has introduced a new homes media brand called ROOMS: a home interest dedicated social zine.
Business Insider has announced the hire of Priscilla Ellington to lead its new events business, BI Live.
Marketforce has launched its first book project with children’s publisher, Kennedy Publishing.
HELLO! has teamed up with H Fashion to launch Studio H, a London-based premium brand and content consultancy.
Media Voices have revealed the shortlist for the sixth year of the Publisher Podcast Awards.
Chris Pettit, CEO of Revving, talks to us about tackling the financial imbalance in adtech, why publishers feel they are at the bottom of the supply chain, and how boosting the digital advertising industry can also boost the UK economy.
Good Housekeeping UK has announced the Spring collection of its endorsed ‘GOOD BOOKS’ as part of its new accreditation programme.