ABC changes rules for overseas digital editions
Changes to the ABC Consumer Magazines Reporting Standards have been agreed, which will help publishers claim their overseas digital editions.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Changes to the ABC Consumer Magazines Reporting Standards have been agreed, which will help publishers claim their overseas digital editions.
Publishing agency August Media has announced its appointment by P&O Cruises to relaunch their member’s magazine in 2012.
The Association of German Magazine Publishers (VDZ) this fall presented a comprehensive study about Vietnam’s Media Market.
The Informa Print Group has announced two key appointments that will add further strength and expertise to the Ipex Sales and Marketing team.
With just one week to go until the PPA Data and Digital Publishing Conference, the PPA has announced that the keynote interview will be with Adrian Barrick, Chief Executive of UBM Built Environment and UBM Connect.
Women love to talk, this is nothing new. But what is new is the changing nature of this talk, as women’s roles in society, and conversation, continue to evolve. Abby Carvosso, head of magazine sales at Bauer Media, tells us about the Value of Talk, a
The National Readership Survey (NRS), Britain’s authoritative source of audience research, has developed a new training programme for its subscribers.
St. Albans-based Air Business group have recently announced another prestigious new account win.
Woman’s Weekly, the magazine that celebrates the home, family and the lives of UK women, is celebrating its 100th birthday issue.
IPC Inspire has announced the appointment of John Gaylard to the role of group ad manager of the property team, working across County Life, Country Life International and The Field.
Sainsbury’s magazine’s December issue hits the shelves this week – and, according to the publishers, it’s the biggest issue in the publication’s 18 year history, breaking all previous advertising records!
Over 100 guests from the printing and publishing industries attended the official launch at the RKB Gallery in London of a 2012 print industry sports calendar to raise funds for The Printing Charity, a leading national UK charity for the printing and
Hearst Magazines UK, Hearst Corporation’s principal UK business, and Zappar, the world’s most powerful augmented reality App, have announced a partnership that will bring the December covers of Cosmopolitan, Company and Harper’s Bazaar to life.
PrintWeek is to produce its first printed product in the US after securing the deal to produce the GOA 2012 Show Daily at the Graphics of the Americas Expo & Conference (GOA) in Miami, Florida.
EdUKaid, the international development charity supported by the Incisive Media Foundation, has recently completed two new education projects in rural Tanzania.