Shortlist Media make commercial appointments
Shortlist Media have announced the appointment of Chris Healy to the newly-created position of Commercial Operations Manager across the business.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Shortlist Media have announced the appointment of Chris Healy to the newly-created position of Commercial Operations Manager across the business.
The Chelsea Magazine Company’s Racecar Engineering unveils a new business section with the December issue, on sale 11 November, priced £5.50.
Parliament played host to senior figures from the world of magazine publishing this week as the industry convened to debate the value of content in the digital age.
Buxton Press, has again taken top honours by scooping the jewel in the UK print industry crown, PrintWeek’s Printing Company of the Year Award.
To celebrate Stylist’s 100th issue – out 2 November – the entire issue has been handed over to the readers. The Made By You issue has been written, photographed, illustrated and styled completely by the magazine’s talented readers.
Future plc, the international special interest media group, has announced that Stevie Spring, CEO, and John Bowman, FD, have resigned with immediate effect.
Denmaur Independent Papers, one of the UK’s leading independent paper merchant groups, has announced that they have recently expanded their inside sales team with the appointment of Brian Lawes.
The December issue of Yachts & Yachting, published by the Chelsea Magazine Company will be a special relaunch issue. It goes on sale 11 November, priced £4.30.
Allure magazine will be launched in Russia in September 2012, it was announced yesterday by Jonathan Newhouse, Chairman of Condé Nast International.
The Suárez Story, a oneshot from Sport Media, goes on sale 7 November, priced £4.99.
Aviation History, a new alternate monthly title about flying history, goes on sale 8 November, priced £3.75.
Shortlist Media have announced the appointment of Darren Singh to the position of Publisher of ShortList.
Candis magazine, the largest women’s subscription magazine, has started a 12 week advertising campaign to support its first move onto UK news-stands.
Media and advertising industry leaders along with leading EU decision makers met at the European Parliament last week to discuss the future of creative industries in Europe.
Peter Phippen of BBC Magazines has been named as the recipient of the Marcus Morris Award 2011, the highest accolade in magazine publishing.