Myself magazine to be launched in Italy
Jonathan Newhouse, Chairman of Condé Nast International, has announced that an Italian edition of Myself magazine will be launched in Italy with the November issue.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Jonathan Newhouse, Chairman of Condé Nast International, has announced that an Italian edition of Myself magazine will be launched in Italy with the November issue.
Magazine journalism students from the University of Sheffield took the top prize at this year's Magazine Academy event run by the Periodicals Training Council.
Exponent Private Equity has announced the creation of Immediate Media Co, a new force in consumer media and publishing.
Independent newsagents have slammed magazine publisher IPC Connect for failing to provide separate copies of individual titles when they run multipack promotions.
BBC Worldwide, the commercial arm of the BBC and a wholly owned subsidiary, has announced that completion of its previously announced sale of BBC Magazines’ assets to Exponent Private Equity (“Exponent”) is due to take place on 31 October 2011.
The Industry Group of the Worshipful Company of Stationers and Newspaper Makers, in cooperation with the Freemen’s Association, held a very timely panel discussion entitled ‘The Changing World of Procurement’ on October 17th.
IPC Inspire managing director Paul Williams has announced the appointment of Emily Hutchings as publishing director for NME, NME.com, Uncut and Uncut.co.uk.
IPC Inspire has announced the launch of Trusted Reviews Guide to Gadgets – a one-off print product from www.trustedreviews.com, the online source of consumer and information technology news and reviews.
Hearst Magazines UK, the Hearst Corporation’s principal UK business, has announced the appointment of its new key sales heads.
The results are in – and Spider-Man’s Andrew Garfield has climbed his way to the number one spot of the 2011 SFX Hot 50, the “definitive” list of buzz-worthy sci-fi and fantasy talent.
Q – the monthly music magazine – has announced the nominees for its annual Next Big Thing award, the winner of which will be announced at the Q Awards 2011 on Monday, 24th October.
Match Of The Day magazine has launched a nationwide campaign to "kick start live football viewing" by getting kids out of the house and through the gates of stadiums.
Now magazine has unveiled a super-stylish new look to celebrate its fifteenth birthday.
Dubsat has announced the launch of Adsend 7.5, a new and improved version of its advanced print advertising validation, delivery and workflow platform for the UK and North American markets, following its release in South Africa, Australia and New Zea
British women take on one of five distinct roles in conversation, according to new Bauer Media research released in the UK last week.