Stuart Selner is new Creative Director of Cosmopolitan
The National Magazine Company has announced the appointment of Stuart Selner as Creative Director of Cosmopolitan.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The National Magazine Company has announced the appointment of Stuart Selner as Creative Director of Cosmopolitan.
Maney Publishing has announced the purchase of three quarterly healthcare journals from Henry Stewart Publications.
Barry McIlheney has been appointed Chief Executive of the PPA, effective from Monday, February 1. He succeeds Jonathan Shephard, who left the organisation in September last year.
D and G Media, specialists in experiential and monitored free distribution at the UK’s largest cruise terminals, Eurotunnel and the Isle of Wight, have exclusive magazine opportunities at the launch of this year’s three major cruise ships in Southamp
Nuts, the PPA Awards Consumer Media Brand of the Year 2009, has unveiled the biggest coup of the January transfer window, with the news that it has signed up legendary football comic strip Striker.
Haymarket chief executive Kevin Costello has announced that finance director Brian Freeman has been promoted to chief operating officer, with effect from January 2010.
IPC Connect managing director Fiona Dent has announced changes in key publishing director responsibilities within the leading mass market Women’s and TV Entertainment division.
Maney Publishing has announced the launch of a new open access (OA) business model, MORE OpenChoice.
Below is a statement read by Mark Cashmore, Group Chief Executive at the company’s AGM last week:
After seven years of celebrating the best comedic talent at the annual Loaded LAFTAS Comedy Awards, Loaded has launched Loaded LAFTAS Comedy Tour.
Wallpaper*, the international design, fashion and lifestyle magazine, has promoted Sébastien Clivaz to the role of fashion director.
US publisher, Meredith Corporation has announced that it has entered into a licensing agreement with Kompas Gramedia Magazine Group to publish and distribute a local edition of MORE magazine in Indonesia.
The March and April issues of Cosmopolitan will be the biggest fashion and beauty editions ever produced, says the publisher.
Haymarket has appointed Kate Law as publisher of its classical music division, comprising of Gramophone magazine and its websites, and Classic FM magazine (under contract from Global Radio).
InStyle editor Eilidh MacAskill has made two senior editorial appointments on the magazine.