Imagine launches Digital Artist
Imagine Publishing has announced the launch of Digital Artist, a new magazine dedicated to the “incredible” work produced by the digital art community.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Imagine Publishing has announced the launch of Digital Artist, a new magazine dedicated to the “incredible” work produced by the digital art community.
Editor-in-Chief of MOJO Phil Alexander was last night honoured by the music industry at the Record of the Day Awards for Music Journalism, a ceremony that recognises success in the fields of Music Journalism, Photography and Public Relations within t
Haymarket Network extended its customer publishing portfolio into tennis last week as the men’s international circuit nears its climax at London’s 02 arena.
Dumfries & Galloway Life (pictured collecting their award below) has been named Scottish Magazine of the Year at the Scottish Magazine Awards 2009.
12 months in the making, Q's Artists Of The Century issue hit the shelves yesterday.
Posten Norden, the host sponsor, and Triangle Management Services, the event organiser, have announced the dates for next year's World Mail & Express Europe Conference.
Haymarket Media Group has signed its first magazine licence in East Africa, for the football title FourFourTwo. The English-language title is due to be launched in February 2010, ahead of the FIFA World Cup in South Africa in June and July.
Future plc, the international special-interest media group, has announced its preliminary results for the year ended 30 September 2009.
Nuts, the PPA Awards Consumer Media Brand of the Year 2009, has announced a new partnership with Wrappz to offer readers a range of unique vinyl covers for their electrical devices featuring a variety of Nuts girls.
Customers of Magazine Group, the online subscription agency, can now get subscriptions and single copies of digital magazines through a partnership with Zinio, a global leader in digital-content design and distribution.
East Sussex-based design and print specialist, Manor Creative, has expanded with two new divisions, Manor Digital and Manor Creative Office Supplies. Its expansion is supported by investment in a Xerox iGen4 digital press to provide Manor Digital’s n
FHM’s Stand-Up Hero, the search for Britain’s best undiscovered stand up comedian, has been commissioned by ITV4 in a joint production between Steve Coogan and Henry Normal’s Baby Cow and Signal TV.
A survey by Clifton Asset Management suggests that media company owners’ retirement hopes continue to fade.
Informa has released the following statement, regarding its rumoured interest in acquiring Springer Science:
PRWeek, the Haymarket title for UK public relations, is making some changes to its print title to strike a balance between print and web, according to editor Danny Rogers.