Hennessey appointed editor of Play
Imagine Publishing has appointed Keith Hennessey as the new Editor of Play magazine and its companion website Play-Mag.co.uk.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Imagine Publishing has appointed Keith Hennessey as the new Editor of Play magazine and its companion website Play-Mag.co.uk.
COMAG Specialist has been chosen to distribute Newsweek magazine, the internationally-renowned weekly news title.
According to distributors COMAG, boys and girls aged 6 to 10 years will go crazy for new partwork collection Gogo's Crazy Bones Mega Metropolis, from the massively popular Gogo’s brand!
In Maney Publishing’s first Australian publishing agreement, it is to publish War & Society: A Journal of the History of Warfare and its Impact on Society from 2010. The journal was launched in 1983 by the School of Humanities & Social Sciences, Univ
Future, the special-interest media group, has secured a partnership with Play.com – the leading online retailer, to celebrate the decade’s greatest movies, with a highly-collectable edition of its flagship entertainment magazine, Total Film.
Pro2col, specialists in the secure large file transfer arena has announced the release of a new, Snow Leopard compatible client application for their flagship product, Hermstedt StingRay.
NatMag has announced the appointment of Ian Birch as Director, Editorial Development & Special Projects.
Condé Nast, Hearst, Meredith, News Corporation and Time Inc have jointly announced that they have entered into an independent venture to develop open standards for a new digital storefront and related technology.
Michael Heseltine has announced changes for Haymarket Media Group, effective from January 1, 2010.
In a neat reversal of current publishing trends, a website for motoring enthusiasts is venturing into print for the first time.
Entrepreneur, philanthropist and Dragons’ Den star James Caan has been invited to become chairman of The Big Issue magazine.
Royal Mail Group has announced the results for the first half of 2009/10. Below is the announcement, signed off by Adam Crozier, Chief Executive (pictured).
Marie Claire, the fashion monthly, has appointed a new senior editorial line-up under editor in chief Trish Halpin.
The ABC has released the following statement concerning Business Eye magazine, published by Buckley Publications.
delicious magazine is to be published by newly formed media group, Eye to Eye Media, following a management buy-out from Seven Publishing Group.